Auld Lang Syne: Selections from the Papers of the "Pen and Pencil Club"Various
General
Auld Lang Syne: Selections from the Papers of the "Pen and Pencil Club"
Various
Literature; Poetry
The sun was getting low as I separated from my party and walked up the
side of a long hill covered with old heather, moss, patches of grass,
patches of reeds, and bogs. It was a glorious scene! A sea of
moorland—wave over wave of undulating hill—rolled from me northward to
the foot of old Cheviot, whose long back, some twenty miles away, was lit
up by the brilliant sinking sun so clearly that I could distinguish the
gullies and inequalities in its time-honoured old sides. Wave over wave,
southward and westward, rolled those same moorland hills from my feet,
seemingly into the still more distant hills of Cumberland, and from north
to south, east to west, was a sea of purple heather in its fullest bloom,
lit up by the golden floods of light of the setting sun. In another five
minutes the sun had disappeared, and I was down by the side of the little
Tarn. Already the air, always fresh on the hills, became fresher; the
golden light was dying out of the sky; the blue of the Heaven above me
was darkening, the hills, a mass of purple sheen so few minutes ago,
stood out sharp and black against the sky; and so I started on my long
tramp home, watching the growth of the “gloaming.” There was still the
heather. I was still tramping through it, but its colour was gone. It
was now an expanse of purple blackness. More intensely dark became the
blue of the sky above me as the red streaks, still hovering over the
place where the sun had dipped, faded. Gradually, imperceptibly was
darkness spreading over everything; and as the darkness spread, the
stillness and sweetness of the “gloaming” made itself felt. The
stillness and freshness of the air, the mysterious blackness of the
hills; the startling white flashes of the little pools, in the moors,
looking as though they had absorbed light from somewhere, and were loth
to part with it; the faintly reflected colours of the fading sky given
back by the burns and streamlets which crossed my path, the whispering of
the reeds and long grass; the great grey boulders looming here and there
through the dark heather and bracken—boulders behind which at that hour
one could not help believing that Kelpies and Pixies were hiding, and
might dart out at any moment for some Tam-o’-Shanter frolic over the
moor—and the soft springy moss, grass, and heather, still under my feet
deadening all the sound of my tread. Light dying, fading, and darkness,
a rich purple darkness, spreading; and everywhere the scent of heather
bloom and stillness and freshness—freshness indescribable, a stillness
only broken by the call here and there of the scattered grouse; or the
soft rush of wings and whistling of golden plover far away over head; or
the cry of the lapwing—or the bark miles away of a collie dog; or the
dripping and murmuring and bubbling of the little burns in the gullies!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account