_K._ “What are Jacob Böhme’s writings like?” “Oh, I can’t tell you that, I can only tell you what it makes one feel like to read them. Something, as we should feel, you and I, if we climbed up to that peak above the wood there, and looked down on the mist in the valley now the sun is gilding it. We should have a vague feeling of having got up on to a height, and perceived something glorious; but we should not be able to give much account of what we had seen when we came down.” _K._ “But I hope you will be able to give me an account of what you have been reading to-day. I want you to explain to me about the four complexions as we walk home.” “Well, I will try; these four letters have something in them that one can get hold of and venture to put into fresh words. You must remember, to begin with, that Böhme still held to there being only four elements—earth, air, fire, and water—and thought that everything, our bodies included, was made up of various proportions of these elemental substances—the soul, a pure indivisible essence, he thinks of as living imprisoned in these compound bodies. Shadowed and clouded and hindered in its work by the material form that shuts it in from the true fount of being; individualizing it and debasing it at the same time. Character, according to him, depends upon the element that preponderates in the composition of our bodies; our souls work through it and are more or less free. His theory of the causes of differences of character may be ever so foolish, yet I think the classification he draws from it is interesting, and does somehow or other help us to understand ourselves and our fellow-creatures a little better.” _K._ “Let me see, he divides people into earth, air, fire, and water people. What sort of character does he suppose the earth element colours the soul with?”