Scotland -- Social life and customs -- 19th century -- Fiction
When Dan'l Wilkie objected to keeping a cranky old body like Mysy in
his house Cree came back to Thrums and took a single room with a
hand-loom in it. The flooring was only lumpy earth, with sacks spread
over it to protect Mysy's feet. The room contained two dilapidated old
coffin-beds, a dresser, a high-backed arm-chair, several three-legged
stools, and two tables, of which one could be packed away beneath the
other. In one corner stood the wheel at which Cree had to fill his own
pirns. There was a plate-rack on one wall, and near the chimney-piece
hung the wag-at-the-wall clock, the timepiece that was commonest in
Thrums at that time, and that got this name because its exposed
pendulum swung along the wall. The two windows in the room faced each
other on opposite walls, and were so small that even a child might have
stuck in trying to crawl through them. They opened on hinges, like a
door. In the wall of the dark passage leading from the outer door into
the room was a recess where a pan and pitcher of water always stood
wedded, as it were, and a little hole, known as the "bole," in the wall
opposite the fireplace contained Cree's library. It consisted of
Baxter's "Saints' Rest," Harvey's "Meditations," the "Pilgrim's
Progress," a work on folk-lore, and several Bibles. The saut-backet,
or salt-bucket, stood at the end of the fender, which was half of an
old cart-wheel. Here Cree worked, whistling "Ower the watter for
Chairlie" to make Mysy think that he was as gay as a mavis. Mysy grew
querulous in her old age, and up to the end she thought of poor, done
Cree as a handsome gallant. Only by weaving far on into the night
could Cree earn as much as six shillings a week. He began at six
o'clock in the morning, and worked until midnight by the light of his
cruizey. The cruizey was all the lamp Thrums had in those days, though
it is only to be seen in use now in a few old-world houses in the
glens. It is an ungainly thing in iron, the size of a man's palm, and
shaped not unlike the palm when contracted, and deepened to hold a
liquid. Whale-oil, lying open in the mould, was used, and the wick was
a rash with the green skin peeled off. These rashes were sold by
herd-boys at a halfpenny the bundle, but Cree gathered his own wicks.
The rashes skin readily when you know how to do it. The iron mould was
placed inside another of the same shape, but slightly larger, for in
time the oil dripped through the iron, and the whole was then hung by a
deck or hook close to the person using it. Even with three wicks it
gave but a stime of light, and never allowed the weaver to see more
than the half of his loom at a time. Sometimes Cree used threads for
wicks. He was too dull a man to have many visitors, but Mr. Dishart
called occasionally and reproved him for telling his mother lies. The
lies Cree told Mysy were that he was sharing the meals he won for her,
and that he wore the overcoat which he had exchanged years before for a
Public-domain text, read in full here on John Shaqi.
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