"Here's a piece o' one o' Sally Ann's purple caliker dresses. Sally
Ann always thought a heap o' purple caliker. Here's one o' Milly Amos'
ginghams--that pink-and-white one. And that piece o' white with the
rosebuds in it, that's Miss Penelope's. She give it to me the summer
before she died. Bless her soul! That dress jest matched her face
exactly. Somehow her and her clothes always looked alike, and her
voice matched her face, too. One o' the things I'm lookin' forward
to, child, is seein' Miss Penelope agin and hearin' her sing. Voices
and faces is alike; there's some that you can't remember, and there's
some you can't forgit. I've seen a heap o' people and heard a heap o'
voices, but Miss Penelope's face was different from all the rest, and
so was her voice. Why, if she said 'Good mornin'' to you, you'd hear
that 'Good mornin' all day, and her singin'--I know there never was
anything like it in this world. My grandchildren all laugh at me for
thinkin' so much o' Miss Penelope's singin', but then they never heard
her, and I have: that's the difference. My grandchild Henrietta was
down here three or four years ago, and says she, 'Grandma, don't you
want to go up to Louisville with me and hear Patti sing?' And says I,
'Patty who, child?' Says I, 'If it was to hear Miss Penelope sing, I'd
carry these old bones o' mine clear from here to New York. But there
ain't anybody else I want to hear sing bad enough to go up to
Louisville or anywhere else. And some o' these days,' says I, _'I'm
goin' to hear Miss Penelope sing._'"
Aunt Jane laughed blithely, and it was impossible not to laugh with
her.
"Honey," she said, in the next breath, lowering her voice and laying
her finger on the rosebud piece, "honey, there's one thing I can't git
over. Here's a piece o' Miss Penelope's dress, but _where's Miss
Penelope_? Ain't it strange that a piece o' caliker'll outlast you and
me? Don't it look like folks ought 'o hold on to their bodies as long
as other folks holds on to a piece o' the dresses they used to wear?"
Questions as old as the human heart and its human grief! Here is the
glove, but where is the hand it held but yesterday? Here the jewel
that she wore, but where is she?
"Where is the Pompadour now?
_This_ was the Pompadour's fan!"
Strange that such things as gloves, jewels, fans, and dresses can
outlast a woman's form.
"Behold! I show you a mystery"--the mystery of mortality. And an eery
feeling came over me as I entered into the old woman's mood and
thought of the strong, vital bodies that had clothed themselves in
those fabrics of purple and pink and white, and that now were dust and
ashes lying in sad, neglected graves on farm and lonely roadside.
There lay the quilt on our knees, and the gay scraps of calico seemed
to mock us with their vivid colors. Aunt Jane's cheerful voice called
me back from the tombs.
Public-domain text, read in full here on John Shaqi.
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