"I reckon you think," she resumed presently, "that I'm a mean, stingy
old creetur not to give Janie the counterpane now, instead o' hoardin'
it up, and all these quilts too, and keepin' folks waitin' for 'em
till I die. But, honey, it ain't all selfishness. I'd give away my
best dress or my best bonnet or an acre o' ground to anybody that
needed 'em more'n I did; but these quilts--Why, it looks like my whole
life was sewed up in 'em, and I ain't goin' to part with 'em while
life lasts."
There was a ring of passionate eagerness in the old voice, and she
fell to putting away her treasures as if the suggestion of losing them
had made her fearful of their safety.
I looked again at the heap of quilts. An hour ago they had been
patchwork, and nothing more. But now! The old woman's words had
wrought a transformation in the homely mass of calico and silk and
worsted. Patchwork? Ah, no! It was memory, imagination, history,
biography, joy, sorrow, philosophy, religion, romance, realism, life,
love, and death; and over all, like a halo, the love of the artist for
his work and the soul's longing for earthly immortality.
No wonder the wrinkled fingers smoothed them as reverently as we
handle the garments of the dead.
IV
"SWEET DAY OF REST"
[Illustration]
I walked slowly down the "big road" that Sunday afternoon--slowly, as
befitted the scene and the season; for who would hurry over the path
that summer has prepared for the feet of earth's tired pilgrims? It
was the middle of June, and Nature lay a vision of beauty in her
vesture of flowers, leaves, and blossoming grasses. The sandy road was
a pleasant walking-place; and if one tired of that, the short, thick
grass on either side held a fairy path fragrant with pennyroyal, that
most virtuous of herbs. A tall hedge of Osage orange bordered each
side of the road, shading the traveler from the heat of the sun, and
furnishing a nesting-place for numberless small birds that twittered
and chirped their joy in life and love and June. Occasionally a gap in
the foliage revealed the placid beauty of corn, oats, and clover,
stretching in broad expanse to the distant purple woods, with here and
there a field of the cloth of gold--the fast-ripening wheat that
waited the hand of the mower. Not only is it the traveler's manifest
duty to walk slowly in the midst of such surroundings, but he will do
well if now and then he sits down and dreams.
As I made the turn in the road and drew near Aunt Jane's house, I
heard her voice, a high, sweet, quavering treble, like the notes of an
ancient harpsichord. She was singing a hymn that suited the day and
the hour:
"Welcome, sweet day of rest,
That saw the Lord arise,
Welcome to this reviving breast,
And these rejoicing eyes."
Public-domain text, read in full here on John Shaqi.
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