Aunt Rachel: A Rustic Sentimental ComedyMurray, David Christie
General
Aunt Rachel: A Rustic Sentimental Comedy
Murray, David Christie
Fiction
“You've eased her down, I hope, lad,” said the old man, untying the bag
and drawing forth the violin. “That's right. As for bringing her back
again, you remember what used to be the sayin' when you was a child,
'Give a thing and take a thing, that's the devil's plaything.' I meant
thee to keep her, lad. It's a sin an' a shame as such a voice should be
silent.”
“Uncle,” said Reuben, stammering somewhat, “I scarcely like to take her.
It seems like--like trespassing on your goodness.”
“I won't demean th' old lady,” returned Ezra. “Her comes o' the right
breed to have all the virtues of her kind. Her's a Stradivarius, Reuben,
and my grandfather gi'en fifty guineas for her in the year seventeen
hundred an' sixty-one. A king might mek a present of her to a king. And
that's why in the natural selfishness of a man's heart I kep' her all
these 'ears hangin' dumb and idle on the wall here. I take some shame to
myself as I acted so, for you might ha' had her half a dozen years ago,
and ha' done her no less than as much justice as I could iver ha' done
her myself at the best days of my life. Her's yourn, my lad, and I only
mek one bargain. If you should marry and have children of your own, and
one of 'em should be a player, he can have her, but if not, I ask you
to will her to somebody as'll know her value, and handle her as her
deserves.”
Reuben was embarrassed by the gift.
“To tell the truth, uncle,” he said, “I should take her the more readily
if I'd coveted her less.”
“Bring her out into the gardin, lad,” returned his uncle. “Let's hear
the 'Last Rose' again.”
Reuben followed the old man's lead. His uncle's house-keeper carried
chairs to the grass-plot, and there the old man and the young one sat
down together in the summer air, and Reuben, drawing a little pitch-pipe
from his pocket, sounded its note, adjusted the violin, and played. Ezra
set his elbows upon his knees and chin in his hands, and sat to listen.
“Lend her to me, lad,” he said, when his nephew laid the instrument
across his knees. “I don't know--I wonder--Let's see if there is any of
the old skill left.” His face was gray and his hands shook as he held
them out. “Theer's almost a fear upon me,” he said, as he took the
fiddle and tucked it beneath his chin. “No, no, I dar' not. I doubt the
poor thing 'ud shriek at me.”
“Nonsense, uncle,” answered Reuben, with a swift and subtle movement
of the fingers of the left hand, such as only a violin-player could
accomplish. “I doubt if there is such a thing as forgetting when once
you have played. Try.”
Public-domain text, read in full here on John Shaqi.
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