Auriol; or, The Elixir of LifeAinsworth, William Harrison
Science
Auriol; or, The Elixir of Life
Ainsworth, William Harrison
Detective and mystery stories; Gothic fiction; Horror tales; Paranormal fiction
Here they kept on the side of the street most in shadow, and crossed
over whenever they came to a lamp. By-and-by, two watchmen were seen
advancing from Belvoir Terrace, and, as the guardians of the night drew
near, the ruffians crept into an alley to let them pass. As soon as the
coast was clear, they ventured forth, and quickening their pace, came to
a row of deserted and dilapidated houses. This was their destination.
The range of habitations in question, more than a dozen in number, were,
in all probability, what is vulgarly called "in Chancery," and shared
the fate of most property similarly circumstanced. They were in a sad
ruinous state--unroofed, without windows and floors. The bare walls were
alone left standing, and these were in a very tumble-down condition.
These neglected dwellings served as receptacles for old iron, blocks of
stone and wood, and other ponderous matters. The aspect of the whole
place was so dismal and suspicious, that it was generally avoided by
passengers after nightfall.
Skulking along the blank and dreary walls, the Tinker, who was now a
little in advance, stopped before a door, and pushing it open, entered
the dwelling. His companion followed him.
The extraordinary and incongruous assemblage of objects which met the
gaze of the Sandman, coupled with the deserted appearance of the place,
produced an effect upon his hardy but superstitious nature.
Looking round, he beheld huge mill-stones, enormous water-wheels,
boilers of steam-engines, iron vats, cylinders, cranes, iron pumps of
the strangest fashion, a gigantic pair of wooden scales, old iron safes,
old boilers, old gas-pipes, old water-pipes, cracked old bells, old
bird-cages, old plates of iron, old pulleys, ropes, and rusty chains,
huddled and heaped together in the most fantastic disorder. In the midst
of the chaotic mass frowned the bearded and colossal head of Neptune,
which had once decorated the forepart of a man-of-war. Above it, on a
sort of framework, lay the prostrate statue of a nymph, together with a
bust of Fox, the nose of the latter being partly demolished, and the
eyes knocked in. Above these, three garden divinities laid their heads
amicably together. On the left stood a tall Grecian warrior, minus the
head and right hand. The whole was surmounted by an immense ventilator,
stuck on the end of an iron rod, ascending, like a lightning-conductor,
from the steam-engine pump.
Seen by the transient light of the moon, the various objects above
enumerated produced a strange effect upon the beholder's imagination.
There was a mixture of the grotesque and terrible about them. Nor was
the building itself devoid of a certain influence upon his mind. The
ragged brickwork, overgrown with weeds, took with him the semblance of a
human face, and seemed to keep a wary eye on what was going forward
below.
Public-domain text, read in full here on John Shaqi.
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