English poetry -- 19th century; Epic poetry, English; Novels in verse
But I, convicted, broken utterly,
With woman’s passion clung about her waist,
And kissed her hair and eyes,—‘I have been wrong,
Sweet Marian’ ... (weeping in a tender rage)
‘Sweet holy Marian! And now, Marian, now,
I’ll use your oath although my lips are hard,
And by the child, my Marian, by the child,
I’ll swear his mother shall be innocent
Before my conscience, as in the open Book
Of Him who reads for judgement. Innocent,
My sister! let the night be ne’er so dark,
The moon is surely somewhere in the sky;
So surely is your whiteness to be found
Through all dark facts. But pardon, pardon me,
And smile a little, Marian,—for the child,
If not for me, my sister.’
The poor lip
Just motioned for the smile and let it go:
And then, with scarce a stirring of the mouth,
As if a statue spoke that could not breathe,
But spoke on calm between its marble lips,—
‘I’m glad, I’m very glad you clear me so.
I should be sorry that you set me down
With harlots, or with even a better name
Which misbecomes his mother. For the rest,
I am not on a level with your love,
Nor ever was, you know,—but now am worse,
Because that world of yours has dealt with me
As when the hard sea bites and chews a stone
And changes the first form of it. I’ve marked
A shore of pebbles bitten to one shape
From all the various life of madrepores;
And so, that little stone, called Marian Erle,
Picked up and dropped by you and another friend,
Was ground and tortured by the incessant sea
And bruised from what she was,—changed! death’s a change,
And she, I said, was murdered; Marian’s dead.
What can you do with people when they are dead,
But, if you are pious, sing a hymn and go,
Or, if you are tender, heave a sigh and go,
But go by all means,—and permit the grass
To keep its green feud up ’twixt them and you?
Then leave me,—let me rest. I’m dead, I say.
And if, to save the child from death as well,
The mother in me has survived the rest,
Why, that’s God’s miracle you must not tax,—
I’m not less dead for that: I’m nothing more
But just a mother. Only for the child,
I’m warm, and cold, and hungry, and afraid,
And smell the flowers a little, and see the sun,
And speak still, and am silent,—just for him!
I pray you therefore to mistake me not,
And treat me, haply, as I were alive;
For though you ran a pin into my soul,
I think it would not hurt nor trouble me.
Here’s proof, dear lady,—in the market-place
But now, you promised me to say a word
About ... a friend, who once, long years ago,
Took God’s place toward me, when He draws and loves
And does not thunder, ... whom at last I left,
As all of us leave God. You thought perhaps,
I seemed to care for hearing of that friend?
Now, judge me! we have sate here half-an-hour
Public-domain text, read in full here on John Shaqi.
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