English poetry -- 19th century; Epic poetry, English; Novels in verse
And talked together of the child and me,
And I not asked as much as, ‘What’s the thing
You had to tell me of the friend ... the friend?’
He’s sad, I think you said,—he’s sick perhaps?
It’s nought to Marian if he’s sad or sick.
Another would have crawled beside your foot
And prayed your words out. Why, a beast, a dog,
A starved cat, if he had fed it once with milk,
Would show less hardness. But I’m dead, you see,
And that explains it.’
Poor, poor thing, she spoke
And shook her head, as white and calm as frost
On days too cold for raining any more,
But still with such a face, so much alive,
I could not choose but take it on my arm
And stroke the placid patience of its cheeks,—
Then told my story out, of Romney Leigh,
How, having lost her, sought her, missed her still,
He, broken-hearted for himself and her,
Had drawn the curtains of the world awhile
As if he had done with morning. There I stopped,
For when she gasped, and pressed me with her eyes,
‘And now ... how is it with him? tell me now,’—
I felt the shame of compensated grief,
And chose my words with scruple—slowly stepped
Upon the slippery stones set here and there
Across the sliding water. ‘Certainly,
As evening empties morning into night,
Another morning takes the evening up
With healthful, providential interchange;
And, though he thought still of her,’—
‘Yes, she knew,
She understood: she had supposed, indeed,
That, as one stops a hole upon a flute,
At which a new note comes and shapes the tune,
Excluding her would bring a worthier in,
And, long ere this, that Lady Waldemar
He loved so’ ...
‘Loved,’ I started,—‘loved her so!
Now tell me’ ...
‘I will tell you,’ she replied:
‘But since we’re taking oaths, you’ll promise first
That he, in England, he, shall never learn
In what a dreadful trap his creature here,
Round whose unworthy neck he had meant to tie
The honourable ribbon of his name,
Fell unaware, and came to butchery:
Because,—I know him,—as he takes to heart
The grief of every stranger, he’s not like
To banish mine as far as I should choose
In wishing him most happy. Now he leaves
To think of me, perverse, who went my way,
Unkind, and left him,—but if once he knew ...
Ah, then, the sharp nail of my cruel wrong
Would fasten me for ever in his sight,
Like some poor curious bird, through each spread wing
Nailed high up over a fierce hunter’s fire,
To spoil the dinner of all tenderer folk
Come in by chance. Nay, since your Marian’s dead,
You shall not hang her up, but dig a hole
And bury her in silence! ring no bells.’
Public-domain text, read in full here on John Shaqi.
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