English poetry -- 19th century; Epic poetry, English; Novels in verse
How all those workers start amid their work,
Look round, look up, and feel, a moment’s space,
That carpet-dusting, though a pretty trade,
Is not the imperative labour after all.
My own best poets, am I one with you,
That thus I love you,—or but one through love?
Does all this smell of thyme about my feet
Conclude my visit to your holy hill
In personal presence, or but testify
The rustling of your vesture through my dreams
With influent odours? When my joy and pain,
My thought and aspiration, like the stops
Of pipe or flute, are absolutely dumb
If not melodious, do you play on me,
My pipers,—and if, sooth, you did not blow,
Would no sound come? or is the music mine,
As a man’s voice or breath is called his own,
Inbreathed by the Life-breather? There’s a doubt
For cloudy seasons!
But the sun was high
When first I felt my pulses set themselves
For concords; when the rhythmic turbulence
Of blood and brain swept outward upon words,
As wind upon the alders, blanching them
By turning up their under-natures till
They trembled in dilation. O delight
And triumph of the poet,—who would say
A man’s mere ‘yes,’ a woman’s common ‘no,’
A little human hope of that or this,
And says the word so that it burns you through
With a special revelation, shakes the heart
Of all the men and women in the world,
As if one came back from the dead and spoke,
With eyes too happy, a familiar thing
Become divine i’ the utterance! while for him
The poet, the speaker, he expands with joy;
The palpitating angel in his flesh
Thrills inly with consenting fellowship
To those innumerous spirits who sun themselves
Outside of time.
O life, O poetry,
—Which means life in life! cognisant of life
Beyond this blood-beat,—passionate for truth
Beyond these senses,—poetry, my life,—
My eagle, with both grappling feet still hot
From Zeus’s thunder, who has ravished me
Away from all the shepherds, sheep, and dogs,
And set me in the Olympian roar and round
Of luminous faces, for a cup-bearer,
To keep the mouths of all the godheads moist
For everlasting laughters,—I, myself,
Half drunk across the beaker, with their eyes!
How those gods look!
Enough so, Ganymede.
We shall not bear above a round or two—
We drop the golden cup at Heré’s foot
And swoon back to the earth,—and find ourselves
Face-down among the pine-cones, cold with dew,
While the dogs bark, and many a shepherd scoffs,
‘What’s come now to the youth?’ Such ups and downs
Have poets.
Am I such indeed? The name
Is royal, and to sign it like a queen,
Is what I dare not,—though some royal blood
Would seem to tingle in me now and then,
With sense of power and ache,—with imposthumes
Public-domain text, read in full here on John Shaqi.
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