The point we come to. Here’s a proof of gift, But here’s no proof, sir, of acceptancy, But rather, disproof. Death’s black dust, being blown, Infiltrated through every secret fold Of this sealed letter by a puff of fate, Dried up for ever the fresh-written ink, Annulled the gift, disutilised the grace, And left these fragments.’ As I spoke, I tore The paper up and down, and down and up And crosswise, till it fluttered from my hands, As forest-leaves, stripped suddenly and rapt By a whirlwind on Valdarno, drop again, Drop slow, and strew the melancholy ground Before the amazèd hills ... why, so, indeed, I’m writing like a poet, somewhat large In the type of the image,—and exaggerate A small thing with a great thing, topping it!— But then I’m thinking how his eyes looked ... his, With what despondent and surprised reproach! I think the tears were in them, as he looked— I think the manly mouth just trembled. Then He broke the silence. ‘I may ask, perhaps, Although no stranger ... only Romney Leigh, Which means still less ... than Vincent Carrington ... Your plans in going hence, and where you go. This cannot be a secret.’ ‘All my life Is open to you, cousin. I go hence To London, to the gathering-place of souls, To live mine straight out, vocally, in books; Harmoniously for others, if indeed A woman’s soul, like man’s, be wide enough To carry the whole octave (that’s to prove) Or, if I fail, still, purely for myself. Pray God be with me, Romney.’ ‘Ah, poor child, Who fight against the mother’s ‘tiring hand, And choose the headsman’s! May God change his world For your sake, sweet, and make it mild as heaven, And juster than I have found you!’ But I paused. ‘And you, my cousin?’— ‘I,’ he said,—‘you ask? You care to ask? Well, girls have curious minds, And fain would know the end of everything, Of cousins, therefore, with the rest. For me, Aurora, I’ve my work; you know my work; And, having missed this year some personal hope, I must beware the rather that I miss No reasonable duty. While you sing Your happy pastorals of the meads and trees, Bethink you that I go to impress and prove On stifled brains and deafened ears, stunned deaf, Crushed dull with grief, that nature sings itself, And needs no mediate poet, lute or voice, To make it vocal. While you ask of men Your audience, I may get their leave perhaps For hungry orphans to say audibly ‘We’re hungry, see,’—for beaten and bullied wives To hold their unweaned babies up in sight, Whom orphanage would better; and for all To speak and claim their portion ... by no means