English poetry -- 19th century; Epic poetry, English; Novels in verse
Went mad upon them ... madder and more mad,
From college times to these,—as, going down hill,
The faster still, the farther! you must know
Your Leigh by heart: he has sown his black young curls
With bleaching cares of half a million men
Already. If you do not starve, or sin,
You’re nothing to him. Pay the income-tax,
And break your heart upon’t ... he’ll scarce be touched;
But come upon the parish, qualified
For the parish stocks, and Romney will be there
To call you brother, sister, or perhaps
A tenderer name still. Had I any chance
With Mister Leigh, who am Lady Waldemar,
And never committed felony?’
‘You speak
Too bitterly,’ I said, ‘for the literal truth.’
‘The truth is bitter. Here’s a man who looks
For ever on the ground! you must be low
Or else a pictured ceiling overhead,
Good painting thrown away. For me, I’ve done
What women may, (we’re somewhat limited,
We modest women) but I’ve done my best.
—How men are perjured when they swear our eyes
Have meaning in them! they’re just blue or brown,—
They just can drop their lids a little. In fact,
Mine did more, for I read half Fourier through,
Proudhon, Considerant, and Louis Blanc,
With various others of his socialists;
And if I had been a fathom less in love,
Had cured myself with gaping. As it was,
I quoted from them prettily enough,
Perhaps, to make them sound half rational
To a saner man than he, whene’er we talked,
(For which I dodged occasion)—learnt by heart
His speeches in the Commons and elsewhere
Upon the social question; heaped reports
Of wicked women and penitentiaries,
On all my tables, with a place for Sue;
And gave my name to swell subscription-lists
Toward keeping up the sun at nights in heaven,
And other possible ends. All things I did,
Except the impossible ... such as wearing gowns
Provided by the Ten Hours’ movement! there,
I stopped—we must stop somewhere. He, meanwhile,
Unmoved as the Indian tortoise ’neath the world,
Let all that noise go on upon his back:
He would not disconcert or throw me out;
’Twas well to see a woman of my class
With such a dawn of conscience. For the heart,
Made firewood for his sake, and flaming up
To his very face ... he warmed his feet at it;
But deigned to let my carriage stop him short
In park or street,—he leaning on the door,
With news of the committee which sate last
On pickpockets at suck.’
‘You jest—you jest.’
Public-domain text, read in full here on John Shaqi.
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