The tune she sang sounded familiar. It must be a hymn, he decided, but
could not remember what hymn, or even be sure it was one he had heard
before, hymns are so much alike. He stopped at the sitting-room door and
waited, listening to the big, free, untrained velvet voice, true
throughout the low and medium registers, flat on the upper notes, the
singer having carelessly pitched her hymn too high. He could hear the
lines now, given with a swing that made them curl over at the ends, and
with a punch on certain of the syllables, irrespective of their meaning:
"Feed me _with_--the heavenly manna
In this _barr_--en wilder_ness_;
Be my _shield_, my sword, my banner,
Be the Lord--my righteous_ness_!"
When she came to the words,
"Death of death and hell's destruction,"
a bang and rattling ensued, as if some one were taking a practical hand
in that work. The heavenly ferryman was thereupon besought with vigor to
land her safe on Canaan's side, and the singing ceased.
Gerald stood waiting, if perchance there might be another verse, and
wondered, while waiting, at the sounds he heard in the room, easy to
recognize, but difficult to explain. When it seemed certain that the
music was at an end, he, after hesitating for some minutes longer,
gently tapped.
"Oh, come in!" was shouted from inside. "_Entrez_, will you?
_Avanti!_"
He opened the door a little way, discreetly, and put in his head, ready
to draw it back at once should he see his morning call as befalling
inopportunely.
Aurora was so far from expecting him that for a second or two she
actually did not recognize him, and waited to understand what was wanted
of her. Her head was tied in a white cloth, her sleeves were turned
back, she had on an apron, and she held a broom. The furniture was
pushed together out of the corners, some of it covered with sheets; the
windows were open. No mistake possible. Aurora was sweeping.
A burst of laughter rang; the broom-handle knocked on the floor.
"Yes, I'm sweeping," she cried. "Come right in! You find me practising
one of my accomplishments. I can't play the piano, I can't speak
languages, I can't paint bunches of flowers on black velvet; but I can
sweep, I can cook, I can wash dishes--or babies, one just as well as the
other, and I can nurse the sick."
"I am afraid I have come at an inconvenient moment."
"Not at all. I'm glad to see you. I was most through, anyhow."
She had pulled the cloth off her head, and was patting her hair before
the glass. She turned down her cuffs, untied her apron, and came to
shake hands, smiling as usual.
"You caught me," she said. "When I feel a certain way, I've got to work
off steam, and there's nothing that does it like sweeping."
"I beg of you--I beg of you to let me close those windows for you!"
"All right. I'm awfully hot, but I guess the room's cold. We can have a
fire in a minute. Everything's there to make it."
Public-domain text, read in full here on John Shaqi.
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