Australian Pictures, Drawn with Pen and PencilWilloughby, Howard
History
Australian Pictures, Drawn with Pen and Pencil
Willoughby, Howard
Australia -- Description and travel; Natural history -- Australia
'The Corner' is a local institution. It was at the Corner in olden days
that a sort of open-air Stock Exchange was established, and here do
speculators of all degrees still delight to come. Many are the stories
of the fortunes that have here changed hands at a word--of the
Midas-like touch of some, the Claudian fatality of withering blight
possessed by others. Here, in the maddest times of the gold fever, was a
scene of gambling pure and simple, as reckless as ever broke a Homburg
bank. Here was the _auri sacra fames_ in its most maddening and
tantalising intensity. And here, even in these more prosaic times, are
sudden flashes of the old spirit, that keep gesticulating crowds surging
over the pavement, and the busy wires working hence to Melbourne,
Sandhurst, and other commerce-hives.
Now and again we read of half-a-ton or so of gold being sent by one or
other of the Ballarat banks to its Melbourne head office, and then we
may be sure, there is a bubbling over of excitement at the Corner. But
it soon calms down to the ordinary seething of the cauldron, to which
the shares of the various mining companies bob up and down with a
regularity that can be almost reduced to a certainty.
Anthony Trollope said of Ballarat: 'It struck me with more surprise than
any other city in Australia. It is not only its youth, for Melbourne is
also very young; nor is it the population of Ballarat which amazes, for
it does not exceed a quarter of that of Melbourne; but that a town so
well built, so well ordered, endowed with present advantages so great in
the way of schools, hospitals, libraries, hotels, public gardens, and
the like, should have sprung up so quickly with no internal advantages
of its own other than that of gold. The town is very pleasant to the
sight.' And with these pleasant words we may leave the great mining
capital.
Public-domain text, read in full here on John Shaqi.
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