Austria: containing a Description of the Manners, Customs, Character and Costumes of the People of that Empire — John Shaqi
Austria: containing a Description of the Manners, Customs, Character and Costumes of the People of that EmpireShoberl, Frederic
History
Austria: containing a Description of the Manners, Customs, Character and Costumes of the People of that Empire
Shoberl, Frederic
Austria -- Social life and customs
The party then adjourns to another apartment, where coffee is served
and where it is frequently joined by other visitors, chiefly men, who
come without particular invitation, to pay their respects or to
converse on business, in the manner of a morning call, and who prolong
their stay as the movements of the first party indicate: for an
invitation to dinner by no means necessarily implies that you are to
spend the evening or any part of it at the house or that the family
has no other engagement as soon as dinner is concluded and the guests
have taken their coffee and liquors.
As the dinner is early, being always between twelve and five, the
remainder of the evening is employed in various pursuits. A drive in
the Prater or to some place of public resort, a visit to the theatre,
or a succession of the calls just described, employ the evening; or,
if the dinner has been very early, the party resumes the occupations
and business of the day.
The time and duration of the performances at the theatres are very
convenient. They begin about six and conclude a little after nine.
The greatest decorum prevails during the representation, the
police-military, that is police-officers, in a particular kind of
livery and wearing swords, being stationed in all the avenues. Thus a
person going with a wish to hear the play is not disappointed by those
brawls which scarcely ever fail to interrupt the performance in our
English theatres; nor is there any part of the house to which a party
of the most delicate females might not resort with the greatest
propriety.
The theatrical performances are continued throughout the whole year,
with the exception of the days prohibited by the Catholic calendar, on
many of which, however, concerts, public rehearsals, and a species of
exhibition called a _Tableau_ are permitted. The latter amusement,
being scarcely known in this country, requires some notice.
The object of these exhibitions is, to represent by groups of living
figures the compositions of celebrated sculptors or painters. With
this view that part of the apartment or theatre, beyond which the
_Tableau_ is to be placed, is darkened, and on raising a curtain, the
figures are discovered dressed in the costume which the painter has
given them, and firmly fixed in the attitude prescribed by his pencil.
The light is skilfully introduced and other objects arranged so as to
give as nearly as possible the effect of the original painting. After
some time the curtain drops to give the performers time to rest, and
to relieve themselves from the painful attitudes which they are
frequently obliged to preserve; and the curtain again drawn up
discovers them still in their characteristic postures. When the
spectators are supposed to be satisfied with one picture another is
introduced, and thus several are exhibited in succession. This
generally forms only part of the evening’s amusement, and is either
accompanied by a theatrical performance, or if in private by dancing
or music.
Public-domain text, read in full here on John Shaqi.
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