Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman EmpirePutnam, George Haven
History
Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman Empire
Putnam, George Haven
Authors and readers -- History; Authorship -- History; Books -- History -- To 400; Literature, Ancient -- Appreciation; Literature, Ancient -- Criticism, Textual; Literature, Ancient -- Manuscripts
Rawlinson adds that, while “intellectually the Egyptians must take
rank among the foremost nations of remote antiquity, they cannot
compare with the great European races whose rise was later, the Greeks
and Romans.... Egypt may in some particulars have stimulated Greek
thought, directing it in new lines, and giving it a basis to work
upon; but otherwise it cannot be said that the world owes much of its
intellectual progress to this people, about whose literary productions
there is always something that is weak and childish.”[4]
On the other hand, the long list of distinguished Greeks who sought
learning in Egypt shows the respect in which Egyptian culture was
held. In the list of the subjects considered in Egyptian literature,
Rawlinson appears also to have overlooked astronomy, in which the
investigations of Egyptian scholars were certainly of the first
importance. Notwithstanding the production of a very considerable body
of literature, there appears to be no evidence of any compensation
being secured by the authors, or of literary productions taking shape
as property. The scribes, who did the copying, must of course have
been paid, for the Egyptians were probably not able, as were later the
Romans, to secure the labor of skilled and educated slaves. These
scribes were for the most part natives and freemen, and they came
to form a very important class, in which class the most important
were those engaged in what might be called the civil service of the
government. Of payment to the authors, however, there is no trace, and
they must have written solely for their own satisfaction or for hopes
of favor. There is also nothing to inform us of the manner in which
the copies of the books which had been “manifolded” were distributed
amongst the readers, and we can only conjecture the existence of
collections or libraries from which the books could be borrowed, or a
practice on the part of the wealthy writers (a practice not unknown in
modern times) of a wide distribution of presentation copies to friends
whose appreciation was hoped for.
The royal library of Rameses contained, says Karpeles, works under
such headings as annals, sacred poetry, royal poetry (_i. e._, poetry
addressed to the king), travels, works on agriculture, irrigation, and
astronomy, correspondence and fiction.
Rawlinson speaks of some characteristic tales which were preserved
from generation to generation, such as the _Tale of the Two Brothers_
(charmingly narrated by the late Amelia B. Edwards), _The Doomed
Prince_, _The Possessed Princesses_, etc. He also refers to
collections of correspondence apparently preserved to serve as models
or patterns, after the fashion of the “complete letter-writers” of
to-day.
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