Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman Empire — John Shaqi
Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman EmpirePutnam, George Haven
History
Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman Empire
Putnam, George Haven
Authors and readers -- History; Authorship -- History; Books -- History -- To 400; Literature, Ancient -- Appreciation; Literature, Ancient -- Criticism, Textual; Literature, Ancient -- Manuscripts
Attention has also been given to the correction of certain errors
of statement or of interpretation, but in some of the instances in
which my critics have not been in accord with the authorities upon
which my own statements have been based, I have ventured to abide by
the conclusions of the latter. My little essay made, of course, no
pretensions to establish any conclusions or to maintain any individual
theories on questions of classical literature concerning which there
might be differences among the scholars. My purpose was simply to
trace, as far as might be practicable, from the scattered references
in the literature of the period, an outline record of the continuity
of literary activity, the methods of the production and distribution
of literature, and the nature of the relations between the authors and
their readers. For the citations utilised for this study, I was, as
stated in my bibliography, chiefly indebted to such scholars as Wilhelm
Schmitz, Joh. Müller, Paul Clement, Theodor Birt, Louis Haenny, H.
Géraud, and A. Meineke. The citations given from the Greek or Latin
authors were in the main based upon or corrected by the versions of
these German or French writers, and were specifically so credited.
The majority of my reviewers were ready to understand the actual
purpose of my book and to recognise that my part in the undertaking was
limited to certain general inferences or conclusions as to literary
methods or conditions. In one or two cases, however, the critics,
ignoring the specified purpose and the necessary limitations of the
essay, saw fit to treat it as a treatise on classical literature and
devoted their reviews almost exclusively to textual criticisms and
corrections. In these, of course (irrespective of certain obvious
errors above referred to), they found ample opportunity for differences
of opinion with the authorities whose versions I had utilised, and
ignoring the fact that my renderings were specifically credited to
the German or French editions, they criticised or corrected these as
if they had been presented by myself. It seems to me worth while,
therefore, again to point out that with these issues between the
scholarly or critical authorities I am not at all concerned, and
that in their controversies I assumed to take no part. My sketches
of literary methods, and the suggestions submitted by me as to the
relations of authors and their readers, are affected very little by
these scholastic controversies, and whatever interest or value they
may possess will be entirely independent, for instance, of such a
question as the correctness of the account given by Aulus Gellius
(cited by me from Schmitz and Blass) of the correspondence between
Aristotle and Alexander.
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