Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman Empire — John Shaqi
Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman EmpirePutnam, George Haven
History
Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman Empire
Putnam, George Haven
Authors and readers -- History; Authorship -- History; Books -- History -- To 400; Literature, Ancient -- Appreciation; Literature, Ancient -- Criticism, Textual; Literature, Ancient -- Manuscripts
The old-time tradition credits the introduction of the alphabet
in Greece to Cadmus, and fixes the date of the first Hellenic
spelling-school at about the fifteenth century before Christ. I
believe the authorities are divided as to whether this mythical Cadmus
represents a Phœnician or an Egyptian influence, but this is a question
which need not be considered here. I understand the philologists are
in accord in the conclusion that the Cadmus story represents, not a
first instituting of a Greek alphabet, but merely certain important
modifications in the form of letters already in use. Birt asserts,
as if it were now a settled fact, that while the Greeks derived their
written characters from the Phœnicians, they were indebted to Egypt
for their first ideas in the making of books. There is a very distinct
family resemblance between the Greek characters as known in literature
and those of the Hebrew, Phœnician, and Syriac alphabets, while the
names of the Greek letters _Alpha_ and _Beta_ are found in all the
Semitic dialects. It seems further to be certain that the earlier
peoples of Greece, after for a time having written perpendicularly
according to the fashion of the Chinese, began later to write from
right to left according to the Oriental manner.
The so-called _Boustrophedon_, a term meaning “turning like oxen when
they plough,” was a method of writing from left to right, and from
right to left in alternate lines. Among the earlier specimens of
this method were the laws of Solon (about 610 B.C.) and the Sigean
inscription (about 600 B.C.). This system represents a period of
transition between the earliest style and that of which the invention
is credited to Pronapides, and is simply the modern European fashion
of writing from left to right. The inscriptions of the Etruscans are
largely written in _Boustrophedon_. Neither in Greece, however, nor
elsewhere, did this method remain in use for any writings which are to
be classed as literature.
While Greek literature, as far as known to us, must be considered as
beginning with the Homeric poems, the date of which is estimated by
the majority of the authorities at about 900 B.C., there appears to be
no trustworthy example of Greek writing earlier than about 600 B.C.
Curiously enough, this specimen was found not in Greece but in Egypt.
Jevons describes it as follows:
“On the banks of the Upper Nile, in the temple of Abu Simbel, are
huge statues of stone, and on the legs of the second colossus
from the south are chipped the names, witticisms, and records
of travellers of all ages, in alphabets known and unknown. The
earliest of the Greek travellers who have thus left their names
were a body of mercenaries, who seemed to have formed part of an
expedition which was led up the Nile by King Psammitichus.”[22]
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