Authors at home: Personal and biographical sketches of well-known American writers
General
Authors at home: Personal and biographical sketches of well-known American writers
Authors, American -- Homes and haunts -- United States; Literary landmarks -- United States; United States -- Intellectual life
[After ten years as editor of _The Atlantic Monthly_, Mr. Aldrich
resigned his position, and has since that time been living in Boston.
In 1893 he published “An Old Town by the Sea,” and two years later
“Unguarded Gates, and Other Poems.”--EDITORS.]
GEORGE BANCROFT
GEORGE BANCROFT
AT WASHINGTON
Mr. Bancroft, the historian, was “at home” beneath every roof-tree,
beside every fireside, where books are household gods. Mr. Bancroft,
the octogenarian, who came into the world hand in hand with the
Nineteenth Century, was especially at home at the capital of the
country whose history was to him a labor of love and the absorbing
occupation of a lifetime. For although his career was one of active
participation in public affairs, his pursuits ran parallel with his
literary work. He was contributing to the making of one period of a
United States history while his pen was engaged in writing of other
periods. If self-gratulation is ever permitted to authors, Mr. Bancroft
must have more than once exclaimed, “The lines have fallen to me in
pleasant places!” as he availed himself of opportunities which only an
ambassador could secure and a scholar improve.
It is the prose-Homer of our Republic whom it is my privilege to
present to the readers of this sketch. Picture to yourself a venerable
man, of medium height, slender figure, erect bearing; with lofty
brow thinned, but not stripped, of its silvery locks; a full, snowy
beard adding to his patriarchal appearance; bluish gray eyes, which
neither use nor time has deprived of brightness; a large nose of
Roman type, such as I have somewhere read or heard that the first
Napoleon regarded as the sign of latent force; “small white hands,”
which Ali Pasha assured Byron were the marks by which he recognized
the poet to be “a man of birth”;--let your imagination combine these
details, and you have a sketch for the historian’s portrait. The
frame is a medium-sized room of good, high pitch. In the center is a
rectangular table covered with books, pamphlets and other indications
of a literary life. Shelving reaches to the ceiling, and every
fraction of space is occupied by volumes of all sizes, from folio to
duodecimo; a door on the left opens into a room which is also full to
overflowing with the valuable collections of a lifetime; and further
on is yet another apartment equally crowded with the historian’s dumb
servants, companions, and friends; while rooms and nooks elsewhere
have yielded to Literature’s rights of squatter sovereignty. In the
Republic of Letters, all books are citizens, and one is as good as
another in the eyes of the maid-servant who kindles the breakfast-room
fire, save perhaps the vellum Plautus or illuminated missal. But men
are known not only by the society they keep, but by the books which
surround them. Just as there are “books which are no books,” so are
there libraries which are no libraries.
Public-domain text, read in full here on John Shaqi.
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