Authors at home: Personal and biographical sketches of well-known American writers — John Shaqi
Authors at home: Personal and biographical sketches of well-known American writers
General
Authors at home: Personal and biographical sketches of well-known American writers
Authors, American -- Homes and haunts -- United States; Literary landmarks -- United States; United States -- Intellectual life
When the author of “Winter Sunshine” comes to town, it is over the
most perfectly graded track and through the finest scenery about New
York. Returning he is carried past Weehawken and the Palisades, through
the Jersey Meadows, in and out among the West Shore Highlands, under
West Point, and past Newburg factories and Marlborough berry farms. He
leaves the train at West Park, mounts a hill through a peach-orchard,
crosses a grassy field, and the high-road when he reaches the top,
opens a rustic gate, and is at home. From the road, you look down upon
the roofs and dormers and chimneys of the house, about half covered
with the red and purple foliage of the Virginia creeper. The ground
slopes quite steeply, so that the house is two stories high on the
side next the road and three on the side toward the river, which winds
away between high, wooded banks to the Catskills, twenty miles to the
north, and to the Highlands, thirty miles to the south. The slope, in
the rear of the house, to the river, is laid out in a grapery and an
orchard of apple and peach trees. Between the house and the road the
steep hillside is tufted with evergreens and other ornamental trees.
At the foot of the hill, the gray roofs of a big ice-house are seen.
Squirrels, that have their nests in the sawdust packing, clamber
around the walls. Near the house, to the left, there is a substantial
store-house, and a carriage-shed and stable. There are two other
dwellings on the farm. The country immediately about is all very much
alike, nearly half of it in ornamental plantations surrounding neat
country houses; the other half, where it is not occupied by rocks,
being covered with fruit, or corn, or grass. The opposite shore of the
Hudson is of the same character, varied with clumps of timber, villas
and farm-houses of the style that was in vogue before the introduction
of the so-called Queen Anne mode of building; a few cultivated
fields and many wild meadows and out-cropping ridges of slate rock
intervening. But the interior country, on the hither-side, back of
the railroad which cuts through the slate hills like a hay-knife,
is a perfect wilderness--rugged, barren, and uninhabited. A number
of little lakes lie behind the first range of hills, the highest of
which has been named by Mr. Burroughs Mount Hymettus, because it is a
famous place for wild bees and sumac honey. From one of these ponds, an
exemplary mountain stream--model of all that a mountain stream should
be--makes its way by a series of cascades into the valley, where it
forms deep pools, peopled by silvery chub and black bass, brawls over
ledges, sparkles in the sun, and sleeps in the shadow, and performs
all the recognized and traditional brook “business” to perfection. Its
specialty is its bed of black stones and dark green moss, which has
gained it its name of Black Creek. At one spot, where it passes under a
high bank overhung by hemlocks, it has communicated its dark color to
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