Authors at home: Personal and biographical sketches of well-known American writers
General
Authors at home: Personal and biographical sketches of well-known American writers
Authors, American -- Homes and haunts -- United States; Literary landmarks -- United States; United States -- Intellectual life
Mt. Vernon Street crosses the topmost height of Beacon Hill. Parallel
to the famed thoroughfare of Beacon Street, it is like a more retired
military line that has the compensation for its retirement of being
spared the active brunt of service. A very few minutes’ climb from the
office of _The Atlantic Monthly_ suffices to reach it. Precisely at
that portion of it where the pretty grass-plots begin, to the houses
on the upper side, is the attractive, stately mansion of an elder
generation, in which Aldrich has taken up his abode. He bought it,
some years ago, of Dr. Bigelow, a well-known name in Boston, and made
it his own. It is one of a block, and is of red brick, four windows
(and perhaps thirty feet) wide, and four tall stories in height, with
a story of dormers above that. The classic doorway of white marble,
solidly built, after the honest fashion of its time, is but a small
detail after all in such an amplitude of façade, and melts easily into
place as part of a genial whole. The quarter, its sidewalks and all,
is chiefly of old red brick, tempered with the green of grass-plots,
shrubs, and climbing vines. It has a pervading air of antiquity, and
it quaintly suggests a bit of Chester or Coventry. The neighbors are,
on the one hand, Charles Francis Adams; on the other, Bancroft, son
of the historian; while, diagonally across the way, is a lady who is,
by popular rumor, the richest woman in New England. The rooms of the
house take a pleasing irregularity from the partial curvature of the
walls, front and rear. They are all spacious, above-stairs as well as
below. The “hall bedroom,” of modern progress, was hardly invented in
its time. A platform and steps at one side of the hall, on entering
(they clear a small alley to the rear) have a sort of altar-like
aspect. The owner or his books might some time be apotheosized there,
at need, amid candles and flowers. Aldrich has been fortunate in his
marriage as in so many other ways. His family consists of a congenial
and accomplished wife, and “the twins,” not unknown to literature. The
most pervading trait of the interior is a sense of a discriminating
judgment and ardor in household decoration. Both husband and wife
share this taste, and together they have filled this abode and their
two country houses with ample evidence of it, and with rare and taking
objects brought from a wide circle of travel and research. Tribute
should be paid to the quietness of tone, the air of comfort, in the
whole. The collections are not made an end in themselves, but are
parts of a harmonious interior. Several stories are carpeted alike, in
a soft, low-toned hue. In days of professional decorators who throw
together all the hues of the kaleidoscope, and none in a patch larger
than your hand, and held upon these, brass, ebony, stamped leather,
marquetry, enamels and bottle-glass, in a kind of chaotic pudding--in
these days such an exceptional reserve as is here manifest seems little
Public-domain text, read in full here on John Shaqi.
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