Authors at home: Personal and biographical sketches of well-known American writers
General
Authors at home: Personal and biographical sketches of well-known American writers
Authors, American -- Homes and haunts -- United States; Literary landmarks -- United States; United States -- Intellectual life
Unfortunately, Mr. Lowell is not at home. He is in his own country
and among his own people; but he is not at Elmwood. For nearly a
decade now his friends have ceased to pass under the portal of those
great English trees and find him by the chimney-fire, “toasting his
toes,” or engaged in less meditative tasks amid the light and shadow
of his books. Loss to them has been gain to us; for in the more open
life of a man of the world and of affairs, at Madrid and London, the
public has seemed to see him more intimately, and has been pleased to
feel some share in his honor as a representative American gentleman
of what must be called an ageing, if not the old, school. But for
lovers of the author, as for his neighbors and acquaintances and his
contemporaries in literature, Lowell is indissolubly set in Elmwood,
and is not to be thought of elsewhere except as in absence. There,
sixty-seven years ago, when Elmwood was but a part of the country
landscape of old Cambridge, he was born of an honorable family of the
colonial time, and learned his alphabet and accidence, and imbibed
from the cultivated and solid company that gathered about his father
the simplicity of manners and severe idealism of mind of which he
continues the tradition; there, in college days, he “read everything
except his text-books,” and with his _æquales_ of the class of 1838
won a somewhat reluctant sonship from a displeased _Alma Mater_; being
in his youth, as he once remarked to the rebellious founders of _The
Harvard Advocate_, “something of a revolutionist myself”; and it was
from there he went out as far as Boston, to begin that legal career
which was not to end in the glory of a justice’s wig. And after the
early volume of poems was published and a kindly fire had exhausted
the edition, and when _The Pioneer_--what a name that was to gather
into its frontiersman-stroke Hawthorne, Story, Poe, Very and the brawny
Mrs. Browning!--had gone down in the first financial morass, still
the pleasant upper room at Elmwood, looking off over the sweep of the
Charles and the lines of the horizon-hills, was as far from being the
scene of forensic discussion as it was from taking its conversational
tone from the ancient clergymen who, with their long pipes, looked
down on the poet’s friends from an old panel over the fireplace. The
Bar has lost many a deserter to the Muses, and it was a settled thing
with the birds of Elmwood--and the place is still a woodland city of
them--that although they “half-forgave his being human,” they would not
forgive his being a lawyer. So, Lowell kept to his walks in the country
and confided the knowledge of his haunts to the readers of his verses,
and from the beginning rhymed the nobler human tone with the notes of
nature; and he married, and many reminiscences remain, among the men of
that day of that brief happiness, one bright episode of which was his
Italian journey. The first series of “The Biglow Papers” appeared, and
Public-domain text, read in full here on John Shaqi.
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