Authors at home: Personal and biographical sketches of well-known American writers
General
Authors at home: Personal and biographical sketches of well-known American writers
Authors, American -- Homes and haunts -- United States; Literary landmarks -- United States; United States -- Intellectual life
so his literary life began definitely to share in public affairs and to
take on the _quasi_-civic character which was to become more and more
his distinction, until it should reach its development, on the side of
his genius, in the patriotic odes, and its acknowledgment, on the part
of the people, in his offices of national trust. Seldom, indeed, has
the peculiar privacy of a poet’s life passed by so even and natural a
growth into the publicity and dignity of the great citizen’s.
But, in the narrow space of this sketch, one must not crowd the lines;
and in the way of biography, of which little can be novel to the
reader, it is enough to recall to mind the general course of Lowell’s
life; how he founded _The Atlantic_, which was to prove a diary of
the contemporary literary age; and in the Lowell Institute first
displayed on a true scale the solidity and acuteness of his critical
scholarship, and gave material aid to the national cause and the war on
slavery, as he had always done, by his brilliant satire, his ambushing
humor and more marvelous pathos; and became the Harvard professor,
succeeding Longfellow; and after a residence in Leipsic settled again
at Elmwood to give fresh books to the world, and to be, perhaps, the
most memorable figure in the minds of several generations of Harvard
students. Nor can one leave unmentioned the more familiar features of
the social life in these years of his second marriage--a life somewhat
retired and quiet but filled full of amiability, wit and intellectual
delight, led partly in Longfellow’s study, or in the famous Saturday
Club, or in the weekly whist meetings, and partly in Elmwood itself.
That past lives in tradition and anecdotage, and in it Lowell appears
as the life and spirit of the wine, with a conversational play so rich
in substance and in allusion that, it is said, one must have heard and
seen with his own eyes and ears, before he can realize that what seems
the studied abundance and changeableness of his essays is in fact the
spontaneity of nature, the mother-tongue of the man.
Public-domain text, read in full here on John Shaqi.
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