One of the earliest of his plays is the _Suppliants_, little read
owing to the uncertainty of the text and the meagreness of the dramatic
interest. The plot is simple enough. Danaus, sprung from Io of Argos,
flees from Egypt with his fifty daughters who avoid wedlock with the
fifty sons of Aegyptus. He sails to Argos and lays suppliant boughs on
the altars of the gods, imploring protection. The King of Argos after
consultation with his people decides to admit the fugitives and to
secure them from Aegyptus' violence. A herald from the latter threatens
to take the Danaids back with him, but the King intervenes and saves
them. There is little in this play but long choral odes; yet one or two
Aeschylean features are evident. The King dreads offending the god of
suppliants
"lest he should make him to haunt his house, a dread visitor who
quits not sinners even in the world to come."
The Egyptian herald reverences no gods of Greece "who reared him not
nor brought him to old age". The Chorus declare that "what is fated will
come to pass, for Zeus' mighty boundless will cannot be thwarted". Here
we have the three leading ideas in the system of Aeschylus--the doctrine
of the inherited curse, of human pride and impiety, and the might of
Destiny.
The _Persians_ is unique as being the only surviving historical play in
Greek literature. It is a poem rather than a drama, as there is little
truly dramatic action. The piece is a succession of very vivid sketches
of the incidents in the great struggle which freed Europe from the
threat of Eastern despotism. A Chorus of Persian elders is waiting for
news of the advance of the great array which Xerxes led against Greece
in 480. They tell how Persia extended her sway over Asia. Yet they are
uneasy, for
"what mortal can avoid the crafty deception of Heaven? In seeming
kindness it entices men into a trap whence they cannot escape."
The Queen-mother Atossa enters, resplendent with jewels; she too is
anxious, for in a dream she had seen Xerxes yoke two women together who
were at feud, one clad in Persian garb, the other in Greek. The former
was obedient to the yoke, but the latter tore the car to pieces and
broke the curb. The Chorus advises her to propitiate the gods with
sacrifice, and to pray to Darius her dead husband to send his son
prosperity. At that moment a herald enters with the news of the Greek
victory at Salamis. Xerxes, beguiled by some fiend or evil spirit, drew
up his fleet at night to intercept the Greeks, supposed to be preparing
for flight. But at early dawn they sailed out to attack, singing
mightily
"Ye sons of Greece, onward! Free your country, your children and
wives, the shrines of your fathers' gods, and your ancestral tombs.
Now must ye fight for all."
Public-domain text, read in full here on John Shaqi.
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