Authors, English -- 19th century -- Biography; De Quincey, Thomas, 1785-1859
At this moment, looking back from a distance of fifty years upon those
trifles, it may well be supposed that I do not attach so much importance
to the subject of my fugitive honors as to have any very decided opinion
one way or the other upon my own proportion of merit. I do not even
recollect the major part of the verses: that which I _do_ recollect,
inclines me to think that, in the structure of the metre and in the
choice of the expressions, I had some advantage over my competitors,
though otherwise, perhaps, my verses were less finished; Lord Morton
might, therefore, in a partial sense, have been just, as well as kind.
But, little as that may seem likely, even then, and at the moment of
reaping some advantage from my honors, which gave me a consideration
with the family I was amongst such as I could not else have had, most
unaffectedly I doubted in my own mind whether I were really entitled
to the praises which I received. My own verses had not at all satisfied
myself; and though I felt elated by the notice they had gained me, and
gratified by the generosity of the earl in taking my part so warmly,
I was so more in a spirit of sympathy with the kindness thus manifested
in my behalf, and with the consequent kindness which it procured me
from others, than from any incitement or support which it gave to my
intellectual pride. In fact, whatever estimate I might make of those
intellectual gifts which I believed or which I knew myself to possess,
I was inclined, even in those days, to doubt whether my natural vocation
lay towards poetry. Well, indeed, I knew, and I know that, had I chosen
to enlist amongst the _soi disant_ poets of the day,--amongst those,
I mean, who, by mere force of _talent_ and mimetic skill, contrive to
sustain the part of poet in a scenical sense and with a scenical
effect,--I also could have won such laurels as are won by such merit;
I also could have taken and sustained a place _taliter qualiter_ amongst
the poets of the time. Why _not_ then? Simply because I knew that me,
as them, would await the certain destiny in reversion of resigning
that place in the next generation to some younger candidate having
equal or greater skill in appropriating the vague sentiments and old
traditionary language of passion spread through books, but having
also the advantage of novelty, and of a closer adaptation to the
prevailing taste of the day. Even at that early age, I was keenly
alive, if not so keenly as at this moment, to the fact, that by far
the larger proportion of what is received in every age for poetry, and
for a season usurps that consecrated name, is _not_ the spontaneous
overflow of real unaffected passion, deep, and at the same time
original, and also forced into public manifestation of itself from the
necessity which cleaves to all passion alike of seeking external
sympathy: this it is _not_; but a counterfeit assumption of such
passion, according to the more or less accurate skill of the writer
Public-domain text, read in full here on John Shaqi.
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