Authors, English -- 19th century -- Biography; De Quincey, Thomas, 1785-1859
in distinguishing the key of passion suited to the particular age; and
a concurrent assumption of the language of passion, according to his
more or less skill in separating the spurious from the native and
legitimate diction of genuine emotion. Rarely, indeed, are the reputed
poets of any age men who groan, like prophets, under the burden of a
message which they have to deliver, and _must_ deliver, of a mission
which they _must_ discharge. Generally, nay, with much fewer exceptions,
perhaps, than would be readily believed, they are merely simulators
of the part they sustain; speaking not out of the abundance of their
own hearts, but by skill and artifice assuming or personating emotions
at second hand; and the whole is a business of talent, (sometimes even
of great talent,) but not of original power, of genius, [7] or authentic
inspiration.
From Porters, after a few days' visit, we returned to Eton. Her majesty
about this time gave some splendid _fêtes_ at Frogmore, to one or two
of which she had directed that we should be invited. The invitation
was, of course, on my friend's account; but her majesty had condescended
to direct that I, as his visitor, should be specially included. Lord
Westport, young as he was, had become tolerably indifferent about such
things; but to me such a scene was a novelty; and, on that account,
it was settled we should go as early as was permissible. We _did_ go;
and I was not sorry to have had the gratification of witnessing (if
it were but for once or twice) the splendors of a royal party. But,
after the first edge of expectation was taken off,--after the vague
uncertainties of rustic ignorance had given place to absolute realities,
and the eye had become a little familiar with the flashing of the
jewelry,--I began to suffer under the constraints incident to a young
person in such a situation--the situation, namely, of sedentary
passiveness, where one is acted upon, but does not act. The music, in
fact, was all that continued to delight me; and, but for _that,_ I
believe I should have had some difficulty in avoiding so monstrous an
indecorum as yawning. I revise this faulty expression, however, on the
spot; not the music only it was, but the music combined with the
dancing, that so deeply impressed me. The ball room--a temporary
erection, with something of the character of a pavilion about it--wore
an elegant and festal air; the part allotted to the dancers being
fenced off by a gilded lattice work, and ornamented beautifully from
the upper part with drooping festoons of flowers. But all the luxury
that spoke to the eye merely faded at once by the side of impassioned
dancing, sustained by impassioned music. Of all the scenes which this
world offers, none is to me so profoundly interesting, none (I say it
deliberately) so affecting, as the spectacle of men and women floating
through the mazes of a dance; under these conditions, however, that
the music shall be rich, resonant, and festal, the execution of the
Public-domain text, read in full here on John Shaqi.
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