Authors, English -- 19th century -- Biography; De Quincey, Thomas, 1785-1859
Then came the funeral. I, in the ceremonial character of _mourner_,
was carried thither. I was put into a carriage with some gentlemen
whom I did not know. They were kind and attentive to me; but naturally
they talked of things disconnected with the occasion, and their
conversation was a torment. At the church, I was told to hold a white
handkerchief to my eyes. Empty hypocrisy! What need had _he_ of masks
or mockeries, whose heart died within him at every word that was
uttered? During that part of the service which passed within the church,
I made an effort to attend; but I sank back continually into my own
solitary darkness, and I heard little consciously, except some fugitive
strains from the sublime chapter of St. Paul, which in England is
always read at burials. [10]
Lastly came that magnificent liturgical service which the English
church performs at the side of the grave; for this church does not
forsake her dead so long as they continue in the upper air, but waits
for her last "sweet and solemn [11] farewell" at the side of the grave.
There is exposed once again, and for the last time, the coffin. All eyes
survey the record of name, of sex, of age, and the day of departure from
earth--records how shadowy! and dropped into darkness as if messages
addressed to worms. Almost at the very last comes the symbolic ritual,
tearing and shattering the heart with volleying discharges, peal after
peal, from the final artillery of woe. The coffin is lowered into its
home; it has disappeared from all eyes but those that look down into the
abyss of the grave. The sacristan stands ready, with his shovel of earth
and stones. The priest's voice is heard once more,--_earth to earth_,--
and immediately the dread rattle ascends from the lid of the coffin;
_ashes to ashes_--and again the killing sound is heard; _dust to dust_--
and the farewell volley announces that the grave, the coffin, the face
are sealed up forever and ever.
Public-domain text, read in full here on John Shaqi.
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