Authors, English -- 19th century -- Biography; De Quincey, Thomas, 1785-1859
still to their more desperate successors, the pirates, at the beginning
of the nineteenth; and for the same reason--the facilities they offer
(rare in those seas) for procuring wood and water. Hither, then, the
black flag often resorted; and here, amidst these romantic solitudes,--
islands untenanted by man,--oftentimes it lay furled up for weeks
together; rapine and murder had rest for a season, and the bloody cutlass
slept within its scabbard. When this happened, and when it became known
beforehand that it _would_ happen, a tent was pitched on shore for my
brother, and the chronometers were transported thither for the period of
their stay.
The island selected for this purpose, amongst the many equally open
to their choice, might, according to circumstances, be that which
offered the best anchorage, or that from which the reëmbarkation was
easiest, or that which allowed the readiest access to wood and water.
But for some, or all these advantages, the particular island most
generally honored by the piratical custom and "good will" was one known
to American navigators as "The Woodcutter's Island." There was some
old tradition--and I know not but it was a tradition dating from the
times of Dampier--that a Spaniard or an Indian settler in this island
(relying, perhaps, too entirely upon the protection of perfect solitude)
had been murdered in pure wantonness by some of the lawless rovers who
frequented this solitary archipelago. Whether it were from some peculiar
atrocity of bad faith in the act, or from the sanctity of the man, or
the deep solitude of the island, or with a view to the peculiar
edification of mariners in these semi-Christian seas, so, however, it
was, and attested by generations of sea vagabonds, (for most of the
armed roamers in these ocean Zaaras at one time were of a suspicious
order,) that every night, duly as the sun went down and the twilight
began to prevail, a sound arose--audible to other islands, and to every
ship lying quietly at anchor in that neighborhood--of a woodcutter's
axe. Sturdy were the blows, and steady the succession in which they
followed: some even fancied they could hear that sort of groaning
respiration which is made by men who use an axe, or by those who in
towns ply the "three-man beetle" of Falstaff, as paviers; echoes they
certainly heard of every blow, from the profound woods and the sylvan
precipices on the margin of the shores; which, however, should rather
indicate that the sounds were _not_ supernatural, since, if a visual
object, falling under hyper-physical or cata-physical laws, loses its
shadow, by parity of argument, an audible object, in the same
circumstances, should lose its echo. But this was the story; and amongst
sailors there is as little variety of versions in telling any true sea
story as there is in a log book, or in "The Flying Dutchman:"
_literatim_ fidelity is, with a sailor, a point at once of religious
faith and worldly honor. The close of the story was--that after,
Public-domain text, read in full here on John Shaqi.
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