Authors, English -- 19th century -- Biography; De Quincey, Thomas, 1785-1859
It was a summer evening of unusual solemnity. The servants, and four
of us children, were gathered for hours, on the lawn before the house,
listening for the sound of wheels. Sunset came--nine, ten, eleven
o'clock, and nearly another hour had passed--without a warning sound;
for Greenhay, being so solitary a house, formed a _terminus ad quem_,
beyond which was nothing but a cluster of cottages, composing the
little hamlet of Greenhill; so that any sound of wheels coming from
the winding lane which then connected us with the Rusholme Road, carried
with it, of necessity, a warning summons to prepare for visitors at
Greenhay. No such summons had yet reached us; it was nearly midnight;
and, for the last time, it was determined that we should move in a
body out of the grounds, on the chance of meeting the travelling party,
if, at so late an hour, it could yet be expected to arrive. In fact,
to our general surprise, we met it almost immediately, but coming at
so slow a pace, that the fall of the horses' feet was not audible until
we were close upon them. I mention the case for the sake of the undying
impressions which connected themselves with the circumstances. The
first notice of the approach was the sudden emerging of horses' heads
from the deep gloom of the shady lane; the next was the mass of white
pillows against which the dying patient was reclining. The hearse-like
pace at which the carriage moved recalled the overwhelming spectacle
of that funeral which had so lately formed part in the most memorable
event of my life. But these elements of awe, that might at any rate
have struck forcibly upon the mind of a child, were for me, in my
condition of morbid nervousness, raised into abiding grandeur by the
antecedent experiences of that particular summer night. The listening
for hours to the sounds from horses' hoofs upon distant roads, rising
and falling, caught and lost, upon the gentle undulation of such fitful
airs as might be stirring--the peculiar solemnity of the hours
succeeding to sunset--the glory of the dying day--the gorgeousness
which, by description, so well I knew of sunset in those West Indian
islands from which my father was returning--the knowledge that he
returned only to die--the almighty pomp in which this great idea of
Death apparelled itself to my young sorrowing heart--the corresponding
pomp in which the antagonistic idea, not less mysterious, of life,
rose, as if on wings, amidst tropic glories and floral pageantries
that seemed even _more_ solemn and pathetic than the vapory plumes and
trophies of mortality,--all this chorus of restless images, or of
suggestive thoughts, gave to my father's return, which else had been
fitted only to interpose one transitory red-letter day in the calendar
of a child, the shadowy power of an ineffaceable agency among my dreams.
This, indeed, was the one sole memorial which restores my father's
image to me as a personal reality; otherwise he would have been for
me a bare _nominis umbra_.
Public-domain text, read in full here on John Shaqi.
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