The picture is clear before me of the day I first walked. My mother, a
handsome, cold-eyed woman, who did not love me, had driven out from town
to nurse's cottage. I shut my eyes, and I am back in the little parlour
with its spindle chairs, an old-fashioned piano with green silk front,
its pink-flowered wall-paper, and the two wonderful black-and-white dogs
on the mantelpiece. There were two pictures I loved to gaze upon--Robert
Emmett in the dock, and Mary Stuart saying farewell to France. I do not
remember my mother's coming or going. Memory begins to work from the
moment nurse put me on a pair of unsteady legs. There were chairs placed
for me to clutch, and I was coaxingly bidden to toddle along, "over to
mamma." It was very exciting. First one chair had to be reached, then
another fallen over, till a third tumbled me at my mother's feet. I
burst into a passion of tears, not because of the fall, but from terror
at finding myself so near my mother. Nurse gathered me into her arms and
began to coo over me, and here the picture fades from my mind.
My nurse loved me devotedly, and of course spoiled me. Most of the
villagers helped her in this good work, so that the first seven years of
my childhood, in spite of baby-face unblest by mother's kiss, were its
happiest period. Women who do not love their children do well to put
them out to nurse. The contrast of my life at home and the years spent
with these rustic strangers is very shocking. The one petted, cherished,
and untroubled; the other full of dark terrors and hate, and a
loneliness such as grown humanity cannot understand without experience
of that bitterest of all tragedies--unloved and ill-treated childhood.
But I was only reminded of my sorrow at nurse's on the rare occasion of
my mother's visits, or when nurse once a month put me into my best
clothes, after washing my face with blue mottled soap--a thing I
detested--and carried me off on the mail-car to town to report my
health and growth. This was a terrible hour for me. From a queen I fell
to the position of an outcast. My stepfather alone inspired me with
confidence. He was a big handsome man with a pleasant voice, and he was
always kind to me in a genial, thoughtless way. He would give me
presents which my mother would angrily seize from me and give to her
other children, not from love, for she was hardly kinder to them than to
me, but from an implacable passion to wound, to strike the smile from
the little faces around her, to silence a child's laughter with terror
of herself. She was a curious woman, my mother. Children seemed to
inspire her with a vindictive animosity, with a fury for beating and
banging them, against walls, against chairs, upon the ground, in a way
that seems miraculous to me now how they were saved from the grave and
she from the dock.
Public-domain text, read in full here on John Shaqi.
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