Sometimes, to entertain my hosts, I would volunteer to warble my strange
symphonies, and was never so ecstatically happy as when I felt the tears
of musical rapture roll down my cheeks, when Dennis, by way of applause,
always observed lugubriously--
"Ah, 'twas the poor master was proud indeed of her voice. 'She'll be a
Catherine Hayes yet, you'll see, Dennis,' he used to say, 'or maybe
she'll compose illigant operas.'"
Alas! I neither sing nor compose, and listen to the singing and the
music of others with unemotional quietude. So many different
achievements have been fondly expected of me, that I have preferred the
alternative of achieving nothing. Better demolish a multitude of
expectations than build one's house of the perishable bricks of a single
one!
Preparations for my departure around me must have been going on, but I
perceived nothing of them. I vaguely remember daily acquaintance with a
dame's school in the neighbourhood, whither Mary Ann conducted me every
morning. But remembrance confines itself to the first positive delights
of a slate and pencil. Next to my own operas and Mary Ann's stories, I
could conceive nothing on earth more fascinating than a certain slate,
after I had arduously polished it, a slate-pencil, and leisure to draw
what I liked on the blue-grey square. There were little boys and girls
on the benches before and behind me, but I only see myself absorbed with
my new pleasure, making strokes and curves and letters, and effacing
them with impassioned gravity.
Chapter X.
THE GREAT NEWS.
Public-domain text, read in full here on John Shaqi.
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