In vain we shouted our customary response with more than our customary
conviction; the confectionery was always for next Tuesday, and never,
alas! for to-day. With longing eyes we watched the slightest movement of
the master towards his pocket. He never produced anything but his
handkerchief, and when he doubled in two to wish us "O reevoyer," he
never omitted to say--
"To-day I did not pass by the confectioner's shop; but it will certainly
be for next Tuesday."
For a long time he took us in, as other so-called magicians have taken
in simpletons as great as we. We believed he had a secret understanding
with the devil, for only to the power of evil could we attribute a
quickness of apprehension such as he boasted. He would stand with his
back to us, playing away at his violin, while we _chasséed_ and
_croiséd_ and heaven knows what else--
"Now, my senses are so acutely alive to the impropriety of a false step,
young ladies, that even with my back turned to you, I shall be able to
tell which of you has erred without seeing her."
Sure enough he always pounced on the bungler, and never failed to switch
round his bow violently and hit her toes. How was it done? Simply
enough, one of us discovered quite by accident. There was a big mahogany
press, as finely polished as a mirror, and in front of this the master
planted himself. The rows of dancers, from crown to heel, were as clear
to him as in a glass. By such simple means may a terrible reputation be
acquired. For months had Mr. Parker shabbily usurped the fame of a
magician.
In his quality of master he could permit himself a brutality of candour
not usually shown by his sex to us without the strictest limits of
intimacy. There was a big girl of sixteen, very stout, very tall,
squarely built, with poultry-yard writ in broad letters over her whole
dull and earthly form. An excellent creature, I have no doubt, though I
knew nothing whatever about her, being half her age, which in school
constitutes a difference of something approaching half a century. Her
name was Janet Twycross, and she came from Shakespeare's town. As befits
a master of the graceful art, Mr. Parker's preference was, given to the
slim and lovely nymph, and such a square emblem of the soil as Janet
Twycross would naturally provoke his impatient contempt. Possibly she
merited all the vicious rage he showered on her poor big feet,
pathetically evident, emerging from skirts that just reached her
ankles. But with my larger experience and knowledge of his sex, I am
inclined to doubt it, and attribute his vindictiveness to a mere
masculine hatred of ugliness in woman rather than to the teacher's
legitimate wrath. Hardly a Tuesday went by but he sent the inoffensive,
great, meek creature into floods of tears; and while she wept and
sobbed, looking less lovely than ever in her sorrow, he would snarl and
snicker at her, imitate her jeeringly, and cast obloquy on her unshapely
feet.
Public-domain text, read in full here on John Shaqi.
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