"A ploughboy would be disgraced by such feet as Miss Twycross's," he
would hiss across at her, and then rap them wickedly with his bow.
The art of dancing, Mr. Parker proved to us, is insufficient to make a
gentleman of its adept. Once his unsleeping fury against the unhappy
girl carried him to singular lengths. He bade us all be seated, and
then, with his customary inflated and foolish air began to address us
upon the power of art. With art you can achieve anything, you can even
lend grace to the ungraceful.
"I will now chose from your ranks the most awkward, the most pitiable
and clumsy of her sex. The young lady unassisted cannot dance a single
step; but such is my consummate skill, so finished is my art, that I
shall actually succeed in bestowing some of my own grace as a dancer
upon her. Advance, Miss Twycross."
I leave you to picture the sensations of the unfortunate so addressed
and so described. She advanced slowly, square and sodden, but with an
unmistakable look of anguish in her poor harassed eyes, of a blue as
dull and troubled as her complexion; and a certain twitching of her thin
tight lips was eloquent enough of her unprovoked hurt.
Mr. Parker, with his simpering disgusted air of ill-natured little
dandy, flourished a perfumed handkerchief about her face, to sustain his
affronted nerves, no doubt, placed an arm gingerly about the flat square
waist, clasped her outer hand in evident revulsion, and began to scamper
and drag her round the room in the steps of a wild schottische. Most of
us tittered--could we be expected to measure the misery of the girl,
while nature made us excruciatingly alive to the absurdity of her
tormentor?
As a girl myself I have often laughed in recalling the incident; but I
own that the brute should have been kicked out of the establishment for
such an object-lesson in the art of communicating grace. As for his
boasted achievement, even we babies could perfectly understand that
there was not much to choose between his jerky waxwork steps and the
heavy stamp of his partner. She at least was true to nature and moved as
she looked, an honest cow-like creature, whom you were at liberty not to
admire, but who offered you no reason to despise her. While he, her
vindictive enemy, mean unnatural little body, sheathing a base,
affected, silly little soul, fiddling and scraping away his days which
were neither dignified nor manly, he offered himself to the unlimited
contempt of even such microscopic humanity as ours. We felt he was not a
man with the large capacity of manhood, but a disgraced and laughable
thing, a puppet moving upon springs and speaking artificially,
manufactured as dolls are, for the delectation of little folk.
Public-domain text, read in full here on John Shaqi.
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