Autobiography of a Female SlaveBrowne, Martha Griffith
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Autobiography of a Female Slave
Browne, Martha Griffith
African American women -- Fiction; Didactic fiction; Enslaved women -- Fiction; Kentucky -- Fiction; Slavery -- Fiction
Jist as I had pocketed it, an' was 'about to drive out
of the room, Lucy opened the door, an' seein' the drawer wide open, she
guessed it all. She gave one loud scream, saying, 'Oh, all our hard
savin's is gone.' I made a sign to her to keep silent; but she went on
hallowin' and cotcht hold of me, an' by a sort of quare strength, she
got her arm round me, an' her hand in my pocket, where the money was."
"You musn't have this, indeed you musn't," said she, "for it is to pay
our rent."
"One desperate effort I made, an' knocked her to the floor. Her head
struck agin the sharp part of the bureau, and the blood gushed from it;
I give one loud yell for mother, an' then fled. Give me some water," he
added, in a hollow tone.
After moistening his lips, he continued:
"Reachin' my companions, I paid down every cent of the money, principal
and interest, then got my bet paid, and left 'em, throwin' a few dollars
toward 'em for the gineral treat.
"About midnight, soft as a cat, I crept along to our house; and I knew
from the light through the open shutter of the winder, that she was
either dead or dyin'; for it was a rule at our house to have the lights
put out afore ten.
"I slipped up close to the winder, and lookin' in, saw the very wust
that I had expected--Lucy in her shroud! A long, white sheet was spread
over the body! Two long candles burnt at the head and foot of the
corpse. Three neighbor-women was watchin' with her. While I still
looked, the side door opened, and mother came in, looking white as a
ghost. She turned down the sheet from the body. I pressed my face still
closer to the winder-pane; and saw that white, dead face; the forehead,
where the wound had been given, was bandaged up. Mother knelt down, and
cried out with a tone that froze my blood--
Public-domain text, read in full here on John Shaqi.
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