Autobiography of Ma-ka-tai-me-she-kia-kiak, or Black HawkBlack Hawk, Sauk chief
History
Autobiography of Ma-ka-tai-me-she-kia-kiak, or Black Hawk
Black Hawk, Sauk chief
Black Hawk War, 1832; Black Hawk, Sauk chief, 1767-1838; Sauk Indians -- Biography
Our women plant the corn, and as soon as they are done we make a feast,
at which we dance the crane dance in which they join us, dressed in
their most gaudy attire, and decorated with feathers. At this feast the
young men select the women they wish to have for wives. He then informs
his mother, who calls on the mother of the girl, when the necessary
arrangements are made and the time appointed for him to come. He goes to
the lodge when all are asleep, or pretend to be, and with his flint and
steel strikes a light and soon finds where his intended sleeps. He then
awakens her, holds the light close to his face that she may know him,
after which he places the light close to her. If she blows it out the
ceremony is ended and he appears in the lodge next morning as one of
the family. If she does not blow out the light, but leaves it burning he
retires from the lodge. The next day he places himself in full view of
it and plays his flute. The young women go out one by one to see who he
is playing for. The tune changes to let them know he is not playing for
them. When his intended makes her appearance at the door, he continues
his courting tune until she returns to the lodge. He then quits playing
and makes another trial at night which mostly turns out favorable.
During the first year they ascertain whether they can agree with each
other and be happy, if not they separate and each looks for another
companion. If we were to live together and disagree, we would be as
foolish as the whites. No indiscretion can banish a woman from her
parental lodge; no difference how many children she may bring home she
is always welcome--the kettle is over the fire to feed them.
The crane dance often lasts two or three days. When this is over, we
feast again and have our national dance. The large square in the village
is swept and prepared for the purpose. The chiefs and old warriors take
seats on mats, which have been spread on the upper end of the square,
next come the drummers and singers, the braves and women form the sides,
leaving a large space in the middle. The drums beat and the singing
commences. A warrior enters the square keeping time with the music. He
shows the manner he started on a war party, how he approached the enemy,
he strikes and shows how he killed him. All join in the applause, and
he then leaves the square and another takes his place. Such of our young
men have not been out in war parties and killed in enemy stand back
ashamed, not being allowed to enter the square. I remember that I was
ashamed to look where our young men stood, before I could take my stand
in the ring as a warrior.
What pleasure it is to an old warrior, to see his son come forward and
relate his exploits. It makes him feel young, induces him to enter the
square and "fight his battles o'er again."
Public-domain text, read in full here on John Shaqi.
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