The next illustration (Fig. 2) shows a more elaborate arrangement, in
which there are four small birds being watched by an owl; the moment
the owl’s back is turned the birds begin to sing, but cease as soon as
he turns towards them. In this apparatus the birds are made to sing
in precisely the same way as in the last illustration, namely, by the
displacement by water of the air in the tank, but as soon as the level
of the water in the tank reaches the top of a concentric siphon (F G)
the water is discharged into a bucket, the birds cease to sing, and
the bucket, owing to its increased weight, lifts the counterbalance
weight (Z), and in doing so turns the spindle (P M) which supports the
owl (R S). When the bucket is full its contents are discharged by a
small siphon within it and it is drawn up by the weight (Z) the owl
turns its back to the birds, and the cycle of operations is repeated.
[Illustration: Fig. 2.]
In the next figure a still more elaborate effect is produced. Here is a
pedestal upon which are four little bushes each having a bird sitting
in its branches; when water is allowed to flow into the funnel the
first bird begins to whistle, and after a few minutes leaves off, when
the next bird begins, and when he has finished the third bird sings,
after a little time the fourth takes up the song, and when he has
finished the first begins again, and so on as long as water is flowing
into the funnel. These effects are produced in the simplest possible
manner, by a combination of as many superposed tanks as there are birds
to sing, the one emptying into the other by siphons. The illustration
explains itself.
[Illustration: Fig. 3.]
In the next device (Fig. 4) we have a bird whose singing is
_intermittent_. In this case the water flows into a little cup which
topples over the moment it is full, emptying itself into the funnel and
immediately righting itself (being loaded at its bottom), the sound is
produced by the displaced air escaping through a whistle in the manner
already described.
[Illustration: Fig. 4.]
[Illustration: Fig. 5.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account