The next automaton from Hero is very ingenious and interesting, because
it combines hydraulic, pneumatic, and mechanical actions. Here (Fig.
9) is a figure of Hercules armed with a bow and arrow; there is also
a dragon under an apple tree, from which an apple has fallen to the
ground. Upon the apple being lifted, Hercules discharges the arrow
at the dragon, which begins to hiss and continues to do so for some
minutes. In this apparatus there is a double tank having a connection
by a valve (H), which is attached by a cord to the apple (K), another
cord, passing over a pulley, connects the apple with a trigger in
the right hand of Hercules. Upon lifting the apple the trigger is
released, and at the same time the valve is opened, allowing the water
in the upper tank to flow into the lower, by which means air is forced
through a tube (Z) into the dragon’s mouth, producing a hissing sound,
and this will continue until the upper tank is empty. Here (Fig. 10) is
Bate’s version of the same device, but very inferior to that from which
it was taken.
[Illustration: Fig. 10.]
The next photograph is taken from another work of Hero’s, “_Quatro
theoremi aggiunti a gli artifitiosi spiriti_,” a copy of which I have
here (Fig. 11), and which was printed at Ferrara in 1589.
[Illustration: Fig. 11.]
This figure illustrates a very elaborate automaton, representing one
of Vulcan’s workshops in which you will see a smith forging a piece of
iron, and assisted by three hammermen. The smith first puts his iron
in the fire and then lays it on the anvil when the hammermen begin
to hammer it; then they leave off, and the smith turns round again
to the fire. All these effects are produced by the machinery below
the floor, and shown in the illustration. A shaft (A B) is driven by
means of a water-wheel on the right, and on this shaft are projections
or cambs which, by striking the ends of three levers (T, X, and V),
pull the chains by which the arms of the hammermen are lifted. While
this is going on the bucket (marked 20) is slowly filling, and when
a sufficient weight of water has accumulated in it, it lifts the
counterweight (17), and, in doing so, rotates the vertical shaft to
which the figure of the smith is attached, turning him round to the
fire, and at the same time, by swinging round the conduit pipe (H I),
cuts off the water from the wheel, and the hammermen cease to work
until the smith is again ready for them. I think you will agree with me
that this machine offers very fair evidence of the mechanical ingenuity
of a man who flourished more than 2,000 years ago.
Public-domain text, read in full here on John Shaqi.
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