Autumn Impressions of the GirondeSieveking, I. Giberne (Isabel Giberne)
General
Autumn Impressions of the Gironde
Sieveking, I. Giberne (Isabel Giberne)
France -- Description and travel
In our hotel, every evening, regularly at _table d'hôte_, appeared
a genuine old specimen of the _haute-noblesse_. He was all one had
ever dreamed of as an old marquis of an extinct _régime_! A sour,
disappointed expression, (which he fed by drinking quantities of
lemon-juice,) dominated his face, though through this could be seen an
air of faded dignity which set him apart from the common herd who sat
to right and left of him. Somehow or other, he conveyed to that noisy
_salle-à-manger_ the subtle atmosphere of some old castle in other
days. One saw the splendid old panelled room in which he might have sat
among the family portraits of many generations around him. Surrounding
him many signs and tokens of ancient nobility, and that great army of
unseen retainers that fenced him about wherever he went-his traditions.
It was true he had to sit cheek by jowl with the _commis voyageur_, the
_bourgeois_, the Cook's tourist, and _seemed_ to be of them, but in
reality he lived in another atmosphere. And as all the world knows,
nothing separates one man from another so completely, so finally, as a
certain essence of spiritual atmosphere.
Along the line from Poitiers to Rouen were trees of flaming tawny and
russet tints. The effect of the snow which had fallen over the fields
the previous night, was that of beaten white of egg having settled
itself flat, and having been forked over in a regular pattern. The
cabbages looked pinched and shrunken with the curl all out of their
plumage. The whole landscape was backed by a deep lilac flush over the
rising woodlands on the horizon. There is something in the straight,
unswerving upward growth of the poplar which relieves the plains from
their otherwise dead level monotony. This is the secret of all life. It
must have contrast. It is not like to like which saves in the crucial
moment of crisis, it is rather the power of the sudden, startling
contrast.
After passing Orléans we came upon trees only partly despoiled of their
leaves, which looked gorgeous in their new livery of white and gold,
for the snow had fallen only upon the bare boughs. As the afternoon
grew darker, the cold white glare of the fields shone more and more
vividly, broken only by the whirl of the succeeding furrows, and the
little copses of violet brown brushwood as the train raced along.
Then, later, came a long sombre belt of pines, the light shewing dimly
between the trunks. Anon, a chalk cutting, now a winking flare from the
lights of some passing wayside station.
Public-domain text, read in full here on John Shaqi.
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