Autumn Impressions of the GirondeSieveking, I. Giberne (Isabel Giberne)
General
Autumn Impressions of the Gironde
Sieveking, I. Giberne (Isabel Giberne)
France -- Description and travel
The next evening I was reminded of this again while standing in the
square facing the cathedral of Our Lady. A group of students strode
cheerfully and briskly up the street under its shadow, which lay like
a great, dark mass lined off by the moonlight, shining white on the
cobbles. As they walked along, one of them struck into a song, which
had, at the end of each stanza, a peculiarly inspiriting refrain, which
was taken up in turns by students across the street, crossing it, and
far ahead. When all this had died away, a passing _fiacre_, rolling
over the stones, broke the silence again, and then the clocks began to
strike the hour.
Illustration: [_From Collection of Mr Gustavus A. Sieveking._
CATHEDRAL NOTRE DAME.
ROUEN, 1842.
[_Page 118._
As the sweet, mellow, solemn bell of the cathedral sounded, and before
it had struck three notes, a blatant tin kettle of a clock, from a
hotel near by, raspingly announced its own rendering of the time. Then
here, then there, from all quarters, came shrill, discordant editions
of the same fact, and the great thrilling, arresting reminder of
the dignified past was silenced. So have I sometimes seen a modern,
fashionable woman, decked out in all the tinsel fripperies of Paris,
outshine some quiet, delicate, other-world beauty in a crowded room, so
that the latter was, to all intents and purposes, completely shelved,
so to speak. She needed her own environment, her own quiet background
before her personal note could be heard; before she could shine in
people's eyes, as she should have shone.
What is it that makes foreign churches a living centre of daily
concern? That they are so, can hardly be disputed. Why they should be
so is another matter, and reasons are bandied about. But whether they
have a reasonable basis, is questionable. The reason chiefly given,
of course, is the influence of the priest, and the background he can
produce at will to the home life picture, if his suggestion in daily
life are not carried out. But it remains to be proved if this reason
can carry the weight that is laid upon its back by its supporters.
One afternoon about two o'clock I waited in the square opposite
the cathedral for forty minutes, in order to see what manner of
men and women were constrained to go through the little swinging
door underneath one of those splendid archways. Every other moment,
for the whole of that forty minutes, some one passed in and out:
well-dressed women; countrywomen in white frilled cap, apron and
sabots; hatless peasants; beggars; "sisters;" infirm people, healthy
people; old people, young people, children. Some would come out slowly,
stiffly; some with mackintosh flying behind; some accompanied, some
unaccompanied.
Public-domain text, read in full here on John Shaqi.
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