Autumn Impressions of the GirondeSieveking, I. Giberne (Isabel Giberne)
General
Autumn Impressions of the Gironde
Sieveking, I. Giberne (Isabel Giberne)
France -- Description and travel
Indeed, not so very long ago it evidently did possess an individuality
in ancient buildings, which set it quite apart by itself. But _nous
avons changé tout cela_; and now, though it has three charming old
streets with black-timbered houses and a mill stream racing beneath
them, and a little bridge, its features are considerably altered.
Here again, as everywhere else where I went, with the exception of
Gujan-Mestras, the same absence of costumes was a keen disappointment.
They are not forgotten, it is true; the numerous photographs of them
prevent that, but they themselves are an unknown quantity.
Coming away from Caudebec, there was a temporary cessation from
showers, and a brilliant, narrow strip of sunshine fell across
the hillocky, spattered surface of the river, which a freshening
wind was driving before it. It shone fitfully through the straight,
close-clipped line of poplars which lined the river bank on the farther
side. A few moments later and the sun was setting in a flare of yellow
light, and a flood of misty radiance lay full on the dancing ripples.
At Rouen the pavement was all a medley of colour: red, soft green,
yellow, and dull grey, so that the flags beneath one's feet shone like
a tesselated flow of many colours. Overhead the blue, lurid flashes of
lightning from the electric wires shot up and died away every now and
then. The light from the arc lights made the wet asphalt shine like a
crinkled sea under the moonlight. We went to bed that night with the
soft pattering of the rain upon our window panes: now hesitating, now
hurried, now in triplets, that suggested to one's mind gentle strumming
on an old spinet.
CHAPTER XII
As I said, I think, before, the country between Rouen and Dieppe is
not striking. But yet it is, in its way, full of picturesqueness; of
beautiful little miniatures; of delicate etchings, exquisite as to
colour and form; and all this is visible even to the traveller passing
rapidly through by train.
There broods over the quiet meadows, over the stiff lines of poplars,
over the cool soft-toned colours in blouse, skirt, or apron, the true
spiritual atmosphere of the heart of the land, if one may so call
it,--its deep simplicity, its own interpretation of life. The peasants
seem to belong to the land upon which their hard-working days are
spent, and, in working, to drink in, in effect, the divine secret of
the earth, which only men possessed of true inner perceptions, like
Jean François Millet, R. L. Stevenson and others like them in mental
calibre, can apprehend.
Nearer Dieppe we came upon numerous farm-houses, many of which are
built upon trestles, and all of which are covered with the usual soft
green embroidery of moss and nestling cosily in the midst of beautiful
orchards, or clustering vineyards.
Public-domain text, read in full here on John Shaqi.
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