Autumn Impressions of the GirondeSieveking, I. Giberne (Isabel Giberne)
General
Autumn Impressions of the Gironde
Sieveking, I. Giberne (Isabel Giberne)
France -- Description and travel
A man told me that once he slept in a bedroom abroad which had eleven
doors. Three or four of them opened into large _salons_.
Then, too, there is so often a difficulty about the keys of the
emergency (?) doors. In most cases that I remember there were no keys;
either they had never been fitted with them, or else they had been
found to be a superfluity and lost. And all the precaution the occupier
of the room could take against invasion was a diminutive little bolt,
too weak and flimsy to be of any real use.
I remember sleeping once in a room of this sort, where the doors
were innocent of any locks or keys, and my companion and I took the
precaution, therefore, before retiring to rest, of piling up a tower
(which would have been a tower of Babel had it fallen!) of all sorts
and kinds of articles. It reached, I think, almost to the top of the
door.
In the morning, roused by the knock of the chambermaid, we only just
remembered in time, after calling out the customary permission to her
to enter, to rescind that permission. This last proved indeed a saving
clause for her, as the door opened outwards!
The bedroom at Bordeaux had three doors. And the proprietor and
chambermaid to whom we showed our dissatisfaction at there being, as
usual, no keys, evidently considered us very childish to make a fuss
over such a trifle.
Some other gentleman was sleeping next door, and I furtively tried
the bolt which was on our side, to see if it was pushed as far as
it would go. This roused the proprietor's wrath, as he declared the
gentleman was one of his oldest customers, and had been in bed some
hours! After quieting him down, we barricaded the doors in such ways as
were possible to us, after his and the chambermaid's departure, and,
retiring to rest, passed an uneventful night. The next morning we made
tracks for Arcachon.
CHAPTER II
To go to Arcachon in autumn is to have spread before one's eyes,
for almost the entire journey, a perfect feast of colour. I never
in my life saw such a magnificent revel of tints massed together
in profusion, scattered broadcast over the country so lavishly and
unstintingly, as passed rapidly before my eyes that day.
The vivid yellow of dwarf acacias; the brilliant crimson of some of the
vines; the dazzling gold of others; the dark sombre, olive green of the
dwarf pine-trees flecked here and there with splashes of vivid chrome
yellow from the embroidery on their bark of some lichen; here and there
a high ledge of thorn trees of pronounced terra-cotta. The prevailing
note of colour everywhere was a deep russet; in some places merging
into brilliant orange, picked out in sharp contrast with the pale
yellow leaves of the acacia, and the fainter speckling of those of the
silver birch, clear against the white glare of its trunk.
Public-domain text, read in full here on John Shaqi.
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