Autumn Leaves: Original Pieces in Prose and Verse — John Shaqi
Autumn Leaves: Original Pieces in Prose and Verse
General
Autumn Leaves: Original Pieces in Prose and Verse
American poetry; Short stories, American
I sing the melodies of early morn.
Hark!--'t is the distant roar of iron wheels,
First sound of busy life, and the shrill neigh
Of vapor-steed, the vale of Brighton threading,
Region of lowing kine and perfumed breeze.
Echoes the shore of blue meandering Charles.
Straightway the chorus of glad chanticleers
Proclaims the dawn. First comes one clarion note,
Loud, clear, and long drawn out; and hark! again
Rises the jocund song, distinct, though distant;
Now faint and far, like plaintive cry for help
Piercing the ear of Sleep. Each knight o' the spur,
Watchful as brave, and emulous in noise,
With mighty pinions beats a glad _reveille_.
All feathered nature wakes. Man's drowsy sense
Heeds not the trilling band, but slumbrous waits
The tardy god of day. Ah! sluggard, wake!
Open thy blind, and rub thy heavy eyes!
For once behold a sunrise. Is there aught
In thy dream-world more splendid, or more fair?
With crimson glory the horizon streams,
And ghostly Dian hides her face ashamed.
Now to the ear of him who lingers long
On downy couch, "falsely luxurious,"
Comes the unwelcome din of college-bell
Fast tolling. . . . . .
"'T is but the earliest, the warning peal!"
He sleeps again. Happy if bustling chum,
Footsteps along the entry, or perchance,
In the home bower, maternal knock and halloo,
Shall break the treacherous slumber. For behold
The youth collegiate sniff the morning zephyrs,
Breezes of brisk December, frosty and keen,
With nose incarnadine, peering above
Each graceful shepherd's plaid the chin enfolding.
See how the purple hue of youth and health
Glows in each cheek; how the sharp wind brings pearls
From every eye, brightening those dimmed with study,
And waste of midnight oil, o'er classic page
Long poring. Boreas in merry mood
Plays with each unkempt lock, and vainly strives
To make a football of the Freshman's beaver,
Or the sage Sophomore's indented felt.
Behold the foremost, with deliberate stride
And slow, approach the chapel, tree-embowered,
Entering composedly its gaping portal;
Then, as the iron tongue goes on to rouse
The mocking echoes with its call, arrive
Others, with hastier step and heaving chest.
Anon, some bound along divergent paths
Which scar the grassy plain, and, with no pause
For breath, press up the rocky stair. Straightway,
A desperate few, with headlong, frantic speed,
Swifter than arrow-flight or Medford whirlwind,
Sparks flying from iron-shod heels at every footfall,
Over stone causeway and tessellated pavement,--
They come--they come--they leap--they scamper in,
Ere, grating on its hinges, slams the door
Inexorable. . . . . .
Pauses the sluggard, at Wood and Hall's just crossing,
The chime melodious dying on his ear.
Embroidered sandals scarce maintain their hold
Upon his feet, shuffling, with heel exposed,
And 'neath his upper garment just appears
A many-colored robe; about his throat
Public-domain text, read in full here on John Shaqi.
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