Autumn Leaves: Original Pieces in Prose and Verse — John Shaqi
Autumn Leaves: Original Pieces in Prose and Verse
General
Autumn Leaves: Original Pieces in Prose and Verse
American poetry; Short stories, American
After a long moment of painful hesitation, during which you have in
vain tried to _stare_ his name out of him, you clutch at a struggling
idea, and blurt out the name of one of your former associates. You do
this, not by any means because common sense or conviction suggest the
course, but simply because something must instantly be done. The
result, of course, is, that you hit upon the wrong name; and now your
kind friends can do no more for you; even if they rush to the rescue,
and formally introduce the stranger, it is of no avail. The deed is
done; you are placed in a position of awkward mortification, which
both the stranger and yourself will never forget, and never cease to
regret.
Why it is that the feeling of shame which follows upon such mishaps
attaches itself exclusively to the innocent sufferers, rather than to
those who are the cause of the suffering, I never could
understand. This kind of diversion betrays a want of humane
consideration in the contriver. It is infinitely more cruel and
unamiable than Spanish bull-baitings, or the gladiatorial shows of the
ancients, inasmuch as a shock to the finest feelings of human nature
is harder to bear, and longer in duration, than the momentary pang
induced by witnessing a merely physical suffering.
THE OLD SAILOR.
In my school vacations I used occasionally to visit an old sailor
friend, a man of uncommon natural gifts, and that varied experience of
life which does so much to supply the want of other means of
education. He must have been a handsome man in his youth, and though
time and hardship had done their utmost to make a ruin of his bold
features, and had made it needful to braid his still jetty black locks
together to cover his bald crown, his was a fine, striking head yet,
to my boyish fancy. I loved to sit at his feet, and hear him tell the
events of sixty years of toil and danger, suffering and well-earned
joy, as he leaned with both hands upon his stout staff, his body
swaying with the earnestness of his speech. His labors and perils were
now ended, and in his age and infirmity he had found a quiet haven. He
had built a small house by the side of the home of his childhood, and
his son, who followed his father's vocation, lived under the same
roof. This son and two daughters were all that remained to him of a
large family.
"An easterly bank and a westerly glim are certain signs of a wet
skin!" said the fisherman, pointing to the heavy black masses of cloud
that hung over the eastern horizon, one morning when I had risen at
sunrise for a day's fishing. "'T won't do; don't go out to-day!
There's soon such a breeze off shore, as, with the heavy chop, would
make you sick enough! Besides, the old dory won't put up with such a
storm as is coming. No fishing, my boy, to-day."
His old father said, "Stephen is right. There is a blow brewing." And
he came to look, leaning on his cane. "Stay in to-day."
Public-domain text, read in full here on John Shaqi.
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