Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
A native of the island of Celebes, who had been captured by
slave-traders, was sold to Mr. Philip Van der Hooft, of Surabaya, in the
north-eastern part of Java. A Hindoo slave was given to the captive for
a wife; and she died, leaving a son two years old. This child Mr. Van
der Hooft gave to his sister Maria, a girl of fifteen, who had taken a
great fancy to him when he was a babe. She was amused at the idea of
receiving little Jan among her birthday presents, but he pleased her,
perhaps, as much as any of them; not as an article of property, but as a
pretty plaything. He was, in fact, a child of singular beauty. His
features were small, his limbs finely formed, and his large, dark,
Hindoo eyes, even at that age, were tender and almost sad in expression.
His sense of sound was exceedingly acute. Maria was musical; and the
moment he heard her piano, or guitar, he would drop his playthings and
run into the parlour. There, he would creep under the table, to be out
of the way, and sit listening, with all his soul shining through the
varying expression of his countenance. Sometimes he was so excited that
he would quiver all over, and end by clapping his hands with a loud crow
of delight; but more frequently he was moved to tears. Being a general
favourite, and the especial pet of his young mistress, he was seldom
ejected from the parlour, when he chose to wander there. When Maria was
busy at her embroidery frame, if she raised her eyes, she would often
see his little dark head peeping in, watching for her to take notice of
him; and as soon as she said, “Ah, here comes my little brownie!” he
would run to her with a jump and a bound, and stand gazing at the bright
colours she was weaving into her work. If she was singing or playing
when he entered, she would give him a nod and a smile; and not
unfrequently she seated him in her lap, and allowed him to play on the
piano. His fingers were too short to reach an octave, but he would touch
thirds continually; smiling, and laughing, and wriggling all over with
delight. Sometimes she amused herself by touching the first and seventh
note of the gamut together, and then he would cringe, as if she had put
her finger in his eye.
He was but three years old when his mistress married Lambert Van der
Veen, and removed with him to a country-seat near the neighbouring city
of Grésik. Little Jan did not thoroughly like that gentleman, because he
was often sent out of the parlour when he came; and Maria was so
engrossed with her lover, that she sometimes forgot to nod and smile
when “little brownie” peeped into the room. He was very exclusive in his
affections. He wanted to have those he loved all to himself. Therefore,
though the young man spoke kindly to him, and often gave him
sugar-plums, a shadow always passed over his expressive face, when,
running eagerly at the sound of the piano, he looked into the parlour
and saw his rival there.
Public-domain text, read in full here on John Shaqi.
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