Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
But after Maria was married, he became, if possible, more of a petted
plaything than ever; for her husband was engaged in commercial pursuits,
which often took him far from home, and their house, being two miles
from the city, was more quiet than her father’s place of residence had
been. She occupied many of her lonely hours in teaching Jan various
infantile accomplishments, and especially in developing his remarkable
powers of imitation. The birds greatly attracted his attention; and in a
few months he could mock them so perfectly, that they mistook his voice
for their own. He soon did the same with the buzz and whirr of every
insect, and laughed to hear how all the little creatures answered him.
Nature had made him almost as sensitive to colours, as to sounds; and
whenever his mistress went into the garden, he would run after her to
beg for a flower. She liked the sound of his little padding feet, and
often smiled to watch his pliant motions and graceful form, clothed only
with a large party-coloured bamboo hat, and a girdle of broad fringe
about his loins. When the master was at home, he was obliged to find his
entertainment more among the slaves. They generally liked to sing or
whistle to him, and would laugh merrily at his eager attempts to
imitate. But some, who had children of their own, envied the high favour
he enjoyed, and consequently bore no good will toward him. They did not
dare to strike him, but they devised many ways of making him
uncomfortable. Decidedly, he liked the parlour better than the slaves’
quarters. He preferred it in the first place, because he was more
attended to there; and in the next place, because he could hear so many
pleasant sounds, and see so many pretty things. He liked the cool straw
carpet, and the pale green walls. The big china jars were an object of
perpetual delight. He was never weary of putting his little fingers on
the brilliant flowers and butterflies, with which they were plentifully
adorned. But what excited his wonder more than any thing else, was a
folding screen of oriental workmanship, which separated the parlour
from the dining-room; for there were gilded pagodas, Chinese mandarins
with peacock’s feathers in their caps, and two birds-of-paradise, as
large as life; a great deal larger, in fact, than the mandarins or the
pagodas. Then it was so pleasant to peep out into the garden, through
the vine-embowered lattice-work of the verandah; to see the blooming
roses, and the small fountain’s silvery veil; to inhale the fragrance of
the orange blossoms, and listen to the cool trickling of the tiny water
drops. All this was in reality his; for he knew not that he was a little
slave; and it is the privilege of unconscious childhood to own
whatsoever it delights in. In this point of view, it all belonged to
little Jan more truly than it did to Mr. Van der Veen. No wonder he
sighed when the master returned, since it condemned him, for a time, to
a degree of exile from his paradise.
Public-domain text, read in full here on John Shaqi.
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