Autumnal leaves: tales and sketches in prose and rhyme — John Shaqi
Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
There is a wide chasm in the story, as there was in Sibella’s life. That
brief dream of the past would not unite itself with the actual present.
She could form no bridge between them. It remained by itself; like an
island warm with sunshine, and fragrant with Eglantines, in the midst of
cold grey waves. Because she herself was changed, all things around her
seemed changed. The young men, especially, appeared like a different
race of beings, since she had learned to compare them with that poetic
youth, who gazed so reverently at the evening star, and loved the
wild-flowers as if they were living things. He had kindled her
imagination, as well as her heart. She perceived a _soul_ in Nature, of
which she had been unconscious till _he_ revealed it. Ah, how lonely she
was now! In all the wide world there was not one mortal who could
understand what that simple country girl had found, or what she had
lost. She herself did not comprehend it. She only had an uneasy sense of
always seeking for something she could never find. She lived among her
former associates like one who has returned from an excursion into
fairy-land, finding the air of earth chilly, and its colours dim. But
employments are Amaranths in the garden of life. They live through all
storms, and survive all changes of the seasons. Her duties were numerous
and conscientiously performed; and through this pathway of necessity,
apparently so rugged, she soon arrived at a state of cheerful serenity.
In a few months, her parents were induced to join a band of emigrants
coming to America; and the novelty of change proved beneficial to her.
That sunny island in her experience was not forgotten, but it smiled
upon her farther in the distance. There was a joyful palpitation at her
heart, when she found Eglantines growing wild in America, under the name
of Sweet-Briar Roses. She opened the verses which had seemed to her “_si
belle!_” The flower was faded, and its sweetness gone; but memory was
redolent of its fragrance. She was never told that Edward Vernon had
written two letters to her, after he left England; and she had almost
persuaded herself that his looks and tones were not so significant as
they had seemed. She had no materials to form a definite hope; but it
became the leading object of her life so to improve herself, that he
would have no cause to be ashamed of her, if he ever should happen to
come to America. In the accomplishment of this project, she was
continually stimulated by the example of American girls, who obtained
the means of education by their own manual industry, and ended by
becoming teachers of the highest class. Her parents were delighted with
her diligence and perseverance, and did what they could to aid her;
never suspecting that the impelling power came chiefly from a latent
feeling, which they hoped was extinct. So she worked onwards and
upwards, with hands and mind, and soon found pleasure in the development
itself.
Public-domain text, read in full here on John Shaqi.
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