Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
Gambolling thus, like children, and happy in childish pleasures, their
united lives flowed smoothly on, like some full, bright, unobstructed
stream. The birth of a daughter was like the opening of a pure lily on
the stream. Their happiness was now complete. Their grateful souls asked
for nothing but a continuance of present blessings. But, alas, sudden as
the rising of a thunder cloud, a deep shadow fell on their sunny
prospect. William was called away a few days on business. He left home
full of life and love, and was brought back a shattered corpse. He had
been killed by an accident, in the rail-road cars. Never had Sibella
known any sorrow approaching the intensity of this sorrow. It saddened
her to bid farewell to that first love-picture, which never emerged out
of the mistiness of dream-land; but this sober certainty of wedded
happiness was such a living true reality, that all her heart-strings
bled, when it was wrenched from her so suddenly. Her suffering soul
would have been utterly prostrated by the dreadful blow, had it not
been for the blessed ministration of her babe, and the necessity of
continuing to labour for its future support and education. The body of
William was buried in a pretty little grove on her father’s farm; and
every year the mound was completely covered with a fresh bed of Ladies’
Delights, which his little girl learned to call “Farder’s Fower.”
* * * * *
Time passed and brought healing on its wings. Sibella never expected to
know happiness again, but she had attained to cheerful resignation. Her
little girl of three years lived at the farm, under the good
grandmother’s care. She continued to teach in the city, spending all her
vacations, and most of her Sundays, at the old homestead. In her memory
lay a sunny island covered with Pansies, and often watered with tears.
That other island of Eglantines had floated far away, and had scarcely a
moonlighted existence. But one Sunday evening, as she returned from
school, she found the little one watching for her, as usual. The
indulgent grandmother had just given her an Eglantine blossom, for which
she had been teazing. In her eagerness to bestow something on her
mother, the child thrust it into her face, exclaiming “Mamma’s Fower!”
That simple phrase awoke sleeping memories. Not for years had the
blooming lanes of old England been so distinctly pictured in the mirror
of her soul. That night, she dreamed Edward Vernon met her in the
prairie and gave her a torch-flower he had gathered. The child’s
exclamation had produced the train of thought of which the dream was
born; and the dream induced her to look at the verses which had long
remained unopened. Ten years had passed since they were written. The
paper was worn at the edges, and the Eglantine blossom was yellow and
wrinkled. Still the sight of it recalled the very look and tone with
which it was offered. The halo of glory with which her youthful
Public-domain text, read in full here on John Shaqi.
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