Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
Weeks passed, and Mr. Vernon still remained a guest at Flower Farm, as
it was called. He entered into negotiations for a tract of land in the
neighbourhood, and found pleasant occupation in hunting, fishing, and
planning his house and grounds. Sibella and the children often
accompanied him in his excursions. The wide-spread prairie, covered with
a thick carpet of grass and brilliant flowers, and dotted with isolated
groves, like islands, charmed him with its novelty of beauty. “I am
perpetually astonished by the profusion and gorgeousness of nature in
this region,” said he. He gathered one of the plants at his feet, and
presenting it to Sibella, asked whether that glowing blossom was not
appropriately named the Torch Flower. “What do you think of dreams?” she
replied; then seeing that he was surprised by the abruptness of the
question, she told him she had dreamed, the night before his arrival,
that she met him on the prairie, and received a torch-flower from his
hand. He smiled, and said, “Its flame-colour might answer for Hymen’s
torch.” He looked at her smilingly as he spoke; for he was bolder now
than when he wrote the verses. Seeing the crimson tide mount into her
cheeks, he touched the flower in her hand, and said, “It blushes more
deeply than my old favourite the Eglantine.” To relieve her
embarrassment, Sibella began to inquire about Mrs. Barton and her
neighbours; adding, “Among all these questions, I have not yet asked if
your sister is living.”
“She is what the world _calls_ living,” he replied. “She has married a
wealthy old merchant, who dresses her in velvet and diamonds; and his
lady rewards him by treating him with more indifference than she does
her footman. Her acquaintance envy her elegant furniture and costly
jewels; and when they exclaim, ‘How fortunate you are! You are
surrounded by every thing the heart can desire!’ she replies, with a
languid motion of her fan, ‘Yes, every thing--_except_ love.’ Julia
never forgave me for marrying the daughter of a poor curate; but she was
like _you_, Sibella, and that was what first interested me. If _she_ had
lived, I probably should never have seen America; but after her death, I
was lonely and restless. I wanted change. I knew that you had been in
this country several years; but I cannot say you were distinctly
connected with my plans. You never answered my letters, and I supposed
you had long since forgotten me. But I never saw an Eglantine without
thinking of you; and while I was crossing the Atlantic, I sometimes
found myself conjecturing whether I should ever happen to meet you, and
whether I should find you married.” Long explanations and confessions
followed. The authorship of the mysterious verses was acknowledged, and
their preservation avowed. The conversation was exceedingly interesting
to themselves, but would look somewhat foolish on paper. It has been
well said, that “the words of lovers are like the rich wines of the
Public-domain text, read in full here on John Shaqi.
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