Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
Wergeland was one of the most popular poets Norway has ever produced. He
rhymed with wonderful facility, and sometimes, when a rush of
inspiration came upon him, he would write verses during a whole day and
night, with untiring rapidity, scarcely pausing to eat, or to rest his
hand. In the poems which expressed his own inward life there was often
something above common comprehension; but, in addition to those higher
efforts, he wrote a great number of verses for the peasantry, in all the
peculiar dialects of their various districts. The merest trifle that
flowed from his pen is said to have contained some sparkling fancy, or
some breathing of sentiments truly poetic. He was an impassioned lover
of nature, and in his descriptions of natural objects was peculiar for
making them seem alive. Thus in one of his poems he describes the winds
coming through clefts of rock, forming a powerful current in the fiord,
driving white-crested waves before them, like a flock of huge
storm-birds. A lawyer, who passes through the current in a boat,
imagines the great waves to be angry spectres of the many poor clients
whom he has wronged. He throws one ten dollars, another twenty, another
fifty, to pacify them. At last, a wondrous tall wave stretches forth his
long neck, as if to swallow him. The terrified lawyer throws him a
hundred dollars, imploring him to be merciful. Just then, the boat turns
a corner of the rock, out of the current. The great wave eagerly bends
his long arm round the rock, and tries to clutch him; then retreats,
disappointed at his escape.
Wergeland had a strongly marked head, full of indentations, like a bold
rocky shore. He was an athletic, earnest, jovial man, and enjoyed life
with a keen zest. His manner of telling a story was inimitably funny and
vivacious. While he was settling his spectacles, before he began to
speak, a smile would go mantling all over the lower part of his face,
announcing that something good was coming. His soul went forth with warm
spontaneousness to meet all forms of being; and this lively sympathy
seemed to attract both men and animals toward him magnetically. He was
accustomed to saddle his own horse, which stood loose in the barn, among
pet rabbits, pet pigeons, pet birds, all sorts of poultry, and a
favourite cat. These creatures all lived in the greatest friendship
together. They knew their master’s voice perfectly well; and the moment
he opened the door, they would all come neighing, purring, cooing,
singing, crowing, capering and fluttering about him. His cottage was a
picturesque place, ornamented with all sorts of mosses, vines, and
flowers. Under it was a grotto made of rocks and shells, in which were
an old hermit, with a long beard, and various other grotesque figures,
carved in wood. The grotto was occasionally lighted up in the evening,
and the images, seen among flickering shadows, excited great awe in the
minds of peasant children.
Public-domain text, read in full here on John Shaqi.
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