Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
he fell asleep to the gentle lullaby of ever-flowing water. Other
education than this he had not.
“His only teachers had been woods and rills;
The silence that is in the starry sky,
The sleep that is among the lonely hills.”
An aged neighbour, cotemporary with the grandmother, took a great liking
to Fritz; and on Sundays, when no work could be done, he was often
allowed to go and take dinner or supper there. The old man had traversed
nearly all Germany as a peddler, and had come to die in the old
homestead near the mill, where he had worked when a boy. He knew by
heart all the wild fairy legends of the country, and, in his character
of peddler-guest, had acquired a talent for relating them in a manner
peculiarly amusing and exciting to children. In the course of his
travels, he had likewise collected many things which seemed very
remarkable to the inexperienced eye of Fritz; such as curious
smoking-pipes and drinking-cups, and images in all the various costumes
of Germany. But what most attracted his attention was an ancient clock,
brought from Copenhagen when the peddler’s father was a young man. When
this clock was in its right mind, it could play twelve tunes, about as
simple as “Molly put the kettle on.” But the friction of many years had
so worn the cogs of the wheels, that it was frightfully out of tune.
This did not trouble the boy’s strong nerves, and he was prodigiously
amused with the sputtering, seething, jumping, jabbering sounds it made,
when set in motion. To each of the crazy old tunes he gave some droll
name. “There goes the Spitting Cat,” he would say; “now let us hear the
Old Hen.”
Father Rudolph called the rickety old machine his Blacking Box; because
he had bought it with the proceeds of a peculiar kind of blacking, of
his own manufacture. He was always praising this blacking; and one day
he said, “I have never told any one the secret of making it; but if you
are a good boy, Fritz, I will show you how it is done.” The child could
not otherwise than respect what had procured such a wonderful clock; and
when he fell asleep that night, there floated through his mind undefined
visions of being able, some time or other, to purchase such a comical
machine for himself. This seemed a very unimportant incident of his
childhood; but it was the introduction of a thread, that reappeared
again in his web of life.
Public-domain text, read in full here on John Shaqi.
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